Showing posts with label Darkseid War. Show all posts
Showing posts with label Darkseid War. Show all posts

Sunday, April 10, 2016

Unholy Grail: Justice League: Darkseid War Special #1

The following is my review of Justice League: Darkseid War Special #1, which was posted on PopMatters.com.


When historians look back on this era of comics, they will likely refer to this era as the silver age of female superheroes. The only thing that might keep it from being a golden age would be the fact that Ant Man got a solo movie before Wonder Woman. Shortcomings aside, it's undeniable that female superheroes have risen to prominence during this era.

Carol Danvers became Captain Marvel. Kamala Khan became Ms. Marvel. Harley Quinn became more than an obsessive Joker fangirl. There are still unresolved issues, such as Power Girl's costume and Starfire's sexuality, but there has definitely been progress in the realm of female superheroes. However, the same cannot be said for female villains.

Female villains create a unique set of challenges that cannot be easily resolved with clones, time travel, and skin-tight costumes. All too often, female villains are reduced to typical femme fatales or glorified Bond girls. It's not enough for a female villain to just be a menacing presence with an hourglass figure. To stand out in an era where it's way too easy to undermine female characters, it takes a novel approach.

This is the approach Geoff Johns has set up with Grail, who has been the main catalyst to the events of Darkseid Wars. He has tried to make the fact that she's a woman secondary to the overall story. It's ambitious in that it's one of those feats that isn't usually accomplished outside of a Joss Whedon movie. For it to work, Grail can't just be a female version of Darkseid. Having an hourglass figure and a desire to exterminate all life in the universe just isn't enough. She's has to be different kind of villain with a different set of motivations.

Justice League: Darkseid War Special #1 attempts to shed light on those motivations. What it offers helps move the plot of Darkseid Wars forward, but it does little to make Grail more than Darkseid's evil daughter. She still comes off as the rotten apple of her daddy's eye, in some cases quite literally when omega beams enter the picture, and her story does little to make that more interesting. If anything, it overly simplifies her persona in a way that might as well be ripped from a Superfriends rerun.

That story doesn't try to make excuses for Grail. It doesn't try to make much of a story of it either. Grail is an evil, devious woman who treats inflicting death with the same glee as a child eating a chocolate cake. There was no real progression to this evil. She basically just follows Lady Gaga's message to the letter in that she was born this way. There's never really a sense that she could be anything else.

That's not to say the overall story is bland. If Justice League: Darkseid War Special #1 has an intriguing character, then it's not Grail. It's her mother, Myrina Black. She's the only character whose motivations feel compelling. She's a mother trying to protect her daughter, but she's also a mother fighting a losing battle. Any mother who has dealt with a rebellious teenage girl can empathize. With Grail, though, this battle is taken to an unreasonable extreme.


There's nothing in this story that would make anyone sympathize with Grail. Geoff Johns doesn't try to make her a tragic villain in the tradition of Two-Face, Sinestro, or Joel Shumacher. He only ever reinforces the notion that Grail is just inherently evil and everything she does is intended to make children and puppies cry. To her credit, Myrina Black still tries to love her daughter as any mother would. However, despite what nearly every song by the Beatles may claim, love is simply not enough.

Even if love isn't enough, the greatest strength of the story is that it's told from Myrina Black's perspective. Geoff Johns includes plenty of rich dialog and inner musings that offer insight into Myrina's personality. She's very much an Amazon. She has more warrior spirit in her pinkie than most people not named Bruce Wayne have in their entire bodies. She sets herself apart from Wonder Woman in that her mission as a mother converges with her mission as a warrior. In the end, however, it's a mission that was doomed to fail.

If Myrina Black's perspective is a strength in this story, then Grail's progression is its greatest weakness. There's no real sense that she ever even tried to become more than Darkseid's daughter. There's never a sense that anything Myrina Black did would've had any impact on Grail or how the events of Darkseid Wars played out. Justice League: Darkseid War Special #1 basically amounts to Myrina Black's failed efforts to help her daughter and Grail's utter lack of effort in heeding her mother's help.

It's basically a perfect storm for failed parenting. There's never a sense that a little extra therapy, a little more honesty, and a few more self-help books would've changed the situation. Grail still walked the same path as her father and she did it with a smile. While that might make her the kind of female villain who can take down the Justice League without breaking a sweat, it doesn't make her the kind of character that would be any more compelling than an evil Supergirl.


Grail is still a menacing character with a great deal of potential. Justice League: Darkseid War Special #1 is able to realize some of this potential, but for the most part it just moves the Darkseid War arc forward. It nicely ties in with the events in other books, incorporating ongoing plots involving Jessica Cruz and Steve Trevor into the mix. However, if the purpose of the story was to make Grail a more compelling character, then it came up short.

It didn't fall flat on its face, but it didn't break new ground either. Grail is evil. Grail is her father's daughter. Her mother never stood a chance at helping her. It's a depressing message, but most stories that begin on Apokolips usually are.

Final Score: 5 out of 10

Monday, June 15, 2015

Justice League #41 Chronicles a Catalyst of War

The following is my review of Justice League #41, which was posted on PopMatters.com.


War tends to bring out the bad in good people and the worst in bad people. Circumstances and situations tend to get simplified in a very callous sort of way. If Randolph Bourne is right and war truly is the health of the state, then it’s the kind of health that can only be maintained by powerful medications. And as with many medications, the side-effects are sometimes worse than the disease. Darkseid is by far one of the DCU’s worst cancers. However, it’s often the side-effects he incurs that do the most damage.

Darkseid isn’t just bad in terms of the Justice League’s many enemies. He’s a force of nature. He sees himself as the embodiment of entropy. He doesn’t trigger war. War itself follows him. He’s like the Joker, but without a sense of humor. There’s nothing funny about what he does and nobody’s laughing when he does it. That’s what makes him such a daunting foe. He’s the kind of force that few are equipped to fight. In the same way one person can’t fix a broken dam with a shovel, no one person can fight him. That makes him an ideal adversary for the Justice League, as shown in the very first arc with the New 52. Now that Convergence has passed, there’s a new brand to refine. And just like before, Darkseid is the catalyst for it.

This is what unfolds Justice League #41, laying the foundation for the Darkseid War and building an impressive structure on that foundation. The prologue established Darkseid’s new target in the Anti-Monitor. Between these two characters, it’s like throwing a universe-sized cherry bomb into the DCU. But unlike Darkseid’s first battle with the Justice League, this battle has more layers of complexity.

Like any good sequel that’s not directed by Joel Shumacher, there are new paths to explore. The Justice League has undergone numerous developments and changes. Two of its members have hooked up. One of their greatest enemies has joined the team. They even found time to clash with the Justice League of America the way. They’re not overly vulnerable, but they have more to exploit this time around. And it isn’t just Darkseid who exploits them.

Like the inaugural arc of Justice League, the conflict in the Darkseid War starts with a mystery. Someone has decided to blatantly rip off the first Terminator movie and kill every woman named Myrina Black. It’s not exactly the same as John Smith, but it does ensure plenty of innocent women whose parents thought the name was completely innocuous face an untimely end. There isn’t an obvious link to Darkseid at first, but there are plenty of connections forming behind the scenes.

In addition to this mystery, there are several other sub-plots that effectively tie into this mystery, giving that added complexity that no parademons invasion can match. These ties include a nasty confrontation between Darkseid and Mr. Miracle, as well as few terse exchanges between Superman and Lex Luthor. They all have their unique appeal. There will always be an appeal to seeing Superman goad Lex Luthor into doing something crazy like curing cancer on a dare. But what makes the appeal more relevant is how each sub-plot converges on the main conflict.

These plots don’t converge completely like the final season of the Wire, but they come very close. The spark that turns the catalyst for the Darkseid War into a full-blown firestorm is the arrival of Grail, the daughter of Darkseid. She’s a new character with next to no history, but she’s akin to a top five pick in the NBA draft. And when she enters the conflict, she carries herself like Michael Jordan in his prime.


Grail does the kind of damage to the Justice League that might actually make Darkseid crack a smile. She takes down their heaviest hitters and does it with a creepy smile every step of the way. And unlike Darkseid, she does it with a lot more personality. Whereas Darkseid voice comes off as a less polite version of Robocop, Grail has some genuine charisma. She even finds a way to reveal her connection to the Amazons, which makes her defeat of Wonder Woman even more satisfying. And the artwork of Jason Fabrok helps makes it appropriately visceral.

In some respects, Grail is more imposing than Darkseid and not just because she’s more emotive than a tortoise shell. She has Amazon-type skill to go along with Apokolips-level brutality. That’s like putting Peyton Manning’s skill inside Cam Newton’s body with Michael Vick’s legs. It’s entirely believable that she could take down the Justice League single-handedly, something her father failed at the first time around. He’s either very proud or incredibly bemused.

Grail steals the show, but she doesn’t derail the plot. The complexity formed by the various sub-plots don’t get incoherent either, a testament to Geoff Johns’ attention to detail. It offers additional twists along the way. They don’t feel too forced, but some components feel like a last minute reshoot. It still doesn’t mitigate the impact. Each conflict and twist help ignite the spark that kicks off the Darkseid War. Like kickoff at the Super Bowl, it begins the spectacle in all the right ways.

The plot surrounding the first shots of Darkseid War is pretty dense, full of meaningful character interactions and heart-stopping action. The sheer density and complexity can be overwhelming at times, but it never gets convoluted. There’s never a point where the reader has to scratch their head and take notes to make sense of what’s going on. Everything is neatly organized and perfectly laid out for those willing to appreciate the detail and don’t just want to see a beautiful woman beat up the Justice League.

Few spectacles outside Breaking Bad can say they accomplished what Justice League #41 accomplished. It succeeded in kick-starting the Darkseid War. Anyone who is a fan of big summer blockbusters or volatile stories with the flare of illegal fireworks is going to want to get some popcorn.

Final Score: 9 out of 10