Truth, Justice, and Unprecedented Achievements: Action Comics #1000

The following is my review of Action Comics #1000, which was posted on PopMatters.com.

In June 1938, the first issue of Action Comics came out, introducing the hero by which so many future heroes are still measured. Toady, it's impossible to assess the state of modern superheroes without appreciating the impact of Superman. From the early days of Jerry Siegel and Joe Shuster to the modern era Geoff Johns and Dan Jurgens, the position Superman holds in the pantheon of the superhero genre is without parallel. He is very much the ideal in terms of just how great a hero can be.

It's hard to imagine how Siegel and Shuster expected their creation to evolve over the years. It's hard to imagine their reaction to the knowledge that this series that began in the latter part of the Great Depression would go on for another 1,000 issues that span eight decades, two reboots, a rebirth, multiple movie franchises, a slew of cartoons, and a never-ending supply of merchandise. Action Comics isn't just special to the brand of DC Comics. It's very much an institution, one in which the milestones carry even more weight.

That's why Action Comics #1000 is a truly momentous achievement for both Superman and the superhero era that he helped to start. It's one of those rare comics for which there is no template to draw from. No other series can offer insight into how such a milestone comic should be handled. That doesn't stopped DC Comics from assembling an all-star team of writers to pack plenty of content into a single comic with a $7.99 price tag.

With so much talent and so many reasons to celebrate, the expectations for Action Comics #1000 are almost too big to contemplate. Then again, much of Superman's entire appeal is his ability to defy the impossible, do what's right, and do it for the right reasons. He already embodies the ideal for multiple generations of superheroes. It's only fitting that he set the bar for such a milestone issue, if only to make things a little less daunting for Detective Comics and Amazing Spider-Man.

Action Comics #1000 doesn't try to reinvent Superman, push him to new extremes, or make him more up-to-date with modern audiences. More than anything else, it's a celebration of who Superman is and everything he represents. It's not just that he can fight off a fleet of alien invaders and make it back to his family in time for dinner. It's not just that he can outwit Lex Luthor, save an innocent woman being held at gun point in the blink of an eye, and even beat an army of alternate versions of himself.

These are all feats of strength and that's par for the course with Superman. There are plenty of superheroes in superhero comics, fiction, and mythology of all kinds with obscene strength. What sets Superman apart isn't in how he uses it. It's in how he inspires others with it. That's what sets Superman apart and makes him the kind of icon who can transcend decades, generations, and trends of all kinds. From upbeat and hopeful to grim and gritty, Superman finds a way to inspire. Of all the impossible things he does on a day-to-day basis, that's the most meaningful.

Celebrating that core ideal of Superman's character is difficult to do with just one story. Action Comics #1000 doesn't bother trying. Instead, it tells a series of short, concise stories that embody the best of who Superman is and why he's such an inspiration. Each story varies in terms of theme and challenge, but the message is the same. Superman doesn't just overcome the impossible. He raises the bar for everyone.

He can even do this without having to throw a single punch. In one story by Dan Jurgans, he attends a special celebration that Metropolis is holding to honor Superman. He's there as Clark Kent, but constantly worrying about other threats. Then, when he finally decides to don his iconic cape and red underwear, he finds out that he doesn't always have to be the one to right these wrongs. The people he inspires, from the heaviest hitters in the Justice League to the ordinary people on the streets, can do the right thing too when the opportunity arises.

In another story by Geoff Johns, Superman confronts the man who he hung from a telephone pole in the first issue of Action Comics in a fitting extension of that historic first issue. Whereas most other heroes are content to either let the man wallow in his humiliating defeat or just throw him in the nearest jail cell, as though that somehow is enough to make someone change their ways. Superman dares to go the extra mile

He talks to the man, but he doesn't talk down to him. Superman tries to relate to him, showing the kind of empathy and understanding that resonates with him. The fact that he can do this while being an alien from another world helps show the strength of Superman's humanity, despite the fact that he's not human. If he, an alien can embody that level of compression, then what's everyone else's excuse?

Through each story, there are insights into Superman's legacy and how he went about crafting it. They cover current and past era, referencing different timelines and iconic moments. Action Comics #1000 doesn't try to tie them all together through some elaborate sub-plot. While that renders the stories disconnected, they still convey the right message with respect to who Superman is and why his legacy matters.

Like the man himself, these insights are crafted to reflect an ideal. They show just how good a hero can be. They demonstrate that just being exceedingly powerful, able to stop a speeding train or break chains of Kryptonite, is not enough. The real power that makes Superman great is in how he uses it, doing the right thing and never hesitating to do so.

A being of his power can do so many other things, right and wrong. He's even tempted at times, both by circumstance and by men like Lex Luthor. No matter the situation or the challenge, Superman will still do what's right and he won't compromise that. He won't make excuses, either. That may make his decisions predictable, but the way he goes about making them only reinforces why he's an icon who has endured for so long.

The fact that Action Comics makes it to 1,000 issues, despite changing trends in culture and the superhero genre as a whole, is a remarkable accomplishment. Action Comics #1000 does plenty to celebrate the past and chart Superman's course for the future. There's still only so much a single issue can do to encapsulate over 80 years of heroics, even with extra content and a higher price tag. Since the stories are so short and focused, it's difficult to show the breadth of Superman's story through the ages.

For a hero like Superman, though, even a 1,000 page comic isn't be enough to tell every aspect of his story or why he's the most iconic hero of all time. It doesn't have to, though. Like the Man of Steel himself, Action Comics #1000 does plenty to raise the bar and bring hope to generations past and present. What started Siegel and Shuster nearly a century ago is still going strong today. It still seems impossible that any character could endear for so long, but that's exactly what makes him Superman.

Final Score: 9 out of 10

Anatomy of a Betrayal: Superman #43

The following is my review of Superman #43, which was posted on PopMatters.com.

It takes many years of work and dedication to build trust. Conversely, it takes only seconds to destroy. It's akin to a wholly unfair law of physics. It takes a master artist years to craft a beautiful painting or a sculpture whereas it takes an idiot with a hammer or a blowtorch just a few seconds to destroy it. Trust is like a work of art that everyone tries to create. For Superman, however, this work of art might as well be in a museum surrounded by pyromaniacs and drunks.

Despite his dedication to helping his adopted home, Superman does not readily trust others with the intimate details of his personal life. It's how he maintains both an alien and a human persona. And for decades, this has been a big part of his identity. Being able to live both lives helps anchor him to humanity, even though he's an alien with the power to bench press a planet. Now, one of those lives is shattered and the other is severely wounded. And it hits him in way that makes a bath in liquid kryptonite seem relaxing.

Of the very few people that Superman has trusted over the years, Lois Lane is the trustworthy equivalent of the Sistine Chapel. Whether they're married or just respected co-workers, few relationships have been integral to the Man of Steel's mythos than the trust he has in Lois Lane. She's the one who helped introduce Superman to the world. She's the one who helped create the very concept of Superman. Like Steve Jobs and Apple, Lois Lane helped create the iconic brand of Superman, minus the turtleneck and jeans.

Yet in Superman #43, she's the one who does to most to undermine that concept. She betrays a trust that was once as implicit as a dog and his bone. It's this betrayal that gives weight to the, but that weight turns out to be hollow in some areas. The main purpose of this story is to put Lois Lane in a position where she has to be the one to expose Superman's identity. By that most minimum of standards, it succeeds. Anything beyond that, however, requires the story to be graded on a curve.

Even without that curve, the details of the story still warrant a passing grade. The entire first half of the story is dedicated to reaffirming the trust and bond that Superman and Lois Lane share. It's a trust and bond that circumvents the usual romantic undertones and in many respects, that helps make it more genuine. Superman and Lois trust each other in a way that isn't clouded by emotion. It's built heavily on mutual respect. When the concept of every romantic comedy and 70 percent of all sitcoms revolve around friends becoming lovers, it's a refreshing moment.

It's this moment that gives Lois' actions a sense of impact. It's also a moment that adds complications to the ongoing conflict between Superman and Hordor. It's a conflict that began with Hordor revealing that he knows Superman's identity as well and is using it to extort him. It has already put Superman in a difficult position, one of which ended up with him waking up naked in a bed next to a fully-clothed Lois. The idea that it could lead to some much more volatile situations isn't too much of a stretch, especially for someone dating Wonder Woman.

The circumstances are in place. The details of the story are present to give Lois' actions significant emotional weight. Like all the ingredients to a good turkey dinner, everything is in place. But when the time comes to put these ingredients together, the end result isn't as savory as it could've been.

The main issue with the cooking process of this story is that it was rushed. The clash that unfolds between Superman and Hordor seems to skip multiple steps, some of which might have involved pre-heating the proverbial oven. Superman basically goes from confronting Hordor to doing exactly as he says, not making a significant effort to work around it or find another way. For most heroes, that could be understandable. But this is Superman. Even if he's at half-strength, he's still more resourceful than an army of Angus McGuiver clones.

Because this process is so heavily rushed, Lois Lane essentially follows suit. She skips those same critical steps, never stopping for a moment to contemplate another way to remedy the situation. Instead of trying to find a more cunning way to stop Hordor from extorting Superman, she essentially jumps the gun and exposes his identity. And even though she told him earlier in the story that she would keep his secret, she does it in a downright callous manner. It gives the impression that Lois Lane treats her promises the same way Donald Trump treats bankruptcy.

This is the biggest shortcoming of the story. It doesn't give the sense that Lois revealing Superman's identity was the only solution to the problem. And even if those details where present, there's nothing emotional or dramatic about Lois' decision. She just assesses the situation, shrugs, and goes through with it. That is the impression she gives. It's not outright cold, but it is still callous on a level more befitting of Hillary Clinton than Lois Lane.

Even with this shortcoming, Superman #43 still accomplishes its main goal. It creates the circumstances in which Lois Lane has to be the one to expose Superman's identity to the world. Those circumstances aren't wholly unreasonable. It's just the execution of those circumstances that limits the impact of the story. It doesn't create the impact of an unavoidable tragedy. It just creates the sense that Lois Lane is a lousy friend.

There is still merit to the story in Superman #43 in that it makes an effort to establish an impact. It effectively asserts that even in a world where Superman and Lois Lane are not Shakespearean star-crossed lovers, there is still a powerful connection between these two. It's a connection that is now heavily damaged, but not completely shattered. However, it's probably going to be a while before Superman trusts Lois with anything other than his shoe size.

Final Score: 6 out of 10

Trolling the Man of Steel: Superman #41

The following is my review of Superman #41, which was posted on PopMatters.com.

In the movie "Coming To America," Eddie Murphy plays a disillusioned prince in Akeem Joffer who kept a pretty big huge secret from the woman he loved. Granted, being the prince of a rich African nation is not the kind of secret that would upset most women, especially in the post-Jerry Springer era. However, Akeem kept this secret from his love for all the right reasons. He wanted her to fall in love with him for who he was and not just because he was a prince. As such, Superman maintained a secret identity in Clark Kent for a similar reason. He couldn't be the Superman he wanted to be without an anchor to the people he wanted to protect. So what happens when he loses that anchor and a good chunk of the ship it was attached to?

That's the premise of whole "Truth" arc that starts to unfold in Superman #41. It's an arc that has already unfolded on other books, such as Action Comics, Batman/Superman, and Superman/Wonder Woman. These books establish that Superman's identity has been revealed to the public, Lois Lane is primarily responsible for doing so, and he's lost a sizable portion of his powers. Even by Superman standards, this is the ultimate trifecta of a bad day. Even a collective attack by Darkseid, Brainiac, and Lex Luthor couldn't challenge him like this. Unlike his enemies, Superman can't punch this problem into submission or inspire it do good. He has to deal with it and he must do so in a weakened state.

It continues DC's ongoing theme of stripping Superman down to his core values, removing the powers that make him almost god-like and putting him in situation where bench pressing a small planet won't do him any good. Time and again, these situations offer compelling reminders that Superman is not just defined by his powers. He's defined by doing the right thing, even when he has the power to do otherwise. The narrative here is very different. It's not just about doing the right thing anymore. For once, Superman will have to pay a price for doing what he does. What does that do to him as a character? The answers in Superman #41 are incomplete, but it does lay the foundation for this dramatic upheaval in Superman's life.

The main conflict is fairly basic, but nicely refined in that it builds on a story that was established in previous issues. Somebody is selling some very powerful, very illegal weapons that even Ted Nugant wouldn't want to own. It's up to Superman and Jimmy Olsen to stop them and uncover the truth about where these weapons are coming from. It has many of the same themes as a typical Nicholas Cage movie, but there's one major complication that prevents this from being just another Tuesday for Superman.

There's this unknown mystery figure who happens to have footage of Clark Kent turning into Superman. We don't get a clue who he, she, it, or they might be. There's no ominous, Morpheus-like voice. There's no CSI style shadowy figure. There's just a series of text messages that attempt to blackmail Superman. It might as well be an overly ambitious internet troll. This just isn't the kind of troll that can be blocked or muted.

It feels kind of cheap on some levels, having somebody use text messages to blackmail Superman of all people. At the same time, there's something oddly fitting about it. In some respects, it's the state of the modern world catching up with Superman. This isn't the era of phone booths and goofy disguises anymore. This is an era where lives can be ruined with a single tweet. Just ask Anthony "Carlos Danger" Wiener. Superman has always been able to navigate the times and keep functioning as he has since the days of FDR. This time, even he's not powerful enough to overcome the power of internet trolls.

This isn't immediately clear to him from the beginning. Superman doesn't really take this threat very seriously at first. This is one of the biggest weaknesses of the story. The tone is almost casual in how Superman deals with this threat to his identity. He gives the impression that he can deal with it, but the very first page, which briefly flash-forwards to the future, reveals that he fails. It's somewhat of a disconnect in the path to this final outcome is unclear.

The helps feed the second major weakness of Superman #41, which is that it feels incomplete. The end result is already spoiled, both on the first page and in other associated Superman comics. In fact, this issue is way behind the curve in terms of tone and theme. It's like watching Terminator 3 before watching the first two movies. It only sets up for Superman's identity to be revealed and not in a satisfying way either. We know it's coming, but it just ends too abruptly.

It's disappointing in terms of what is promised by the reveal on the first page. There's no dramatic moment where Lois Lane gasps or Twitter explodes with the revelation that Clark Kent is Superman. This may still happen in the next issue. But at this point in Superman's narrative, it just limits the kind of dramatic impact. It obscures the perspective and undermines the substance of the story.

Without that first page reveal, there's less to obscure. But on its own merits, Superman #41 feels like only three-fourths an episode of the Wire. It has the right pieces in place. The characterization of Superman, Lois Lane, and Jimmy Olsen is spot on. Superman knows his identity is in danger of exposure, but that doesn't stop him from doing the right thing. And the plot surrounding these mysterious weapons is one that has merit as well. It just fails to connect these pieces in a way that feels like a polished product.

Future issues may help fill in the gaps and make those connections. But on its own, Superman #41 feels less like a blockbuster movie and more like a teaser trailer. And in this age of cat videos and internet celebrities, that's simply no longer sufficient.

Final Score: 6 out of 10

A Stiff Drink of Humility: Superman #40

The following is my review of Superman #40, which was posted on PopMatters.com.

The true strength of a hero is not defined by how they conduct themselves when they’re at their best. It’s defined by how they carry themselves when they’re at their most pathetic. Any hero can come off as a paragon of virtue and strength when they’re standing atop the corpse of a slain dragon amidst a crowd of cheering admirers. But if that same hero has a bad day and deals with it by getting into a bar fight with a clown, they’re not going to come off as very heroic.

Bad days are everyone’s kryptonite. Even Superman is capable of having one for reasons that don’t always involve a cage fight with Doomsday. Those kinds of days help reinforce the traits and values that make him the alpha and omega of superheroes. He’s already had his share of bad days lately, which have ranged from dealing with Jimmy Olsen as a roommate to Lex Luthor as a teammate on the Justice League. But the day he endures in Superman #40 reveals something even more profound about the Man of Steel. And it does so in a way that’s both oddly insightful and laughably entertaining.

Superman’s rough day at the office begins with his flashy new power, which involves him firing off a potent solar flare at an intensity that only makes it a slight Dragonball Z rip-off. It’s the power that helped him defeat Ulysses. But unlike his many other inhuman feats, this power comes with a side-effect that even Dr. Oz couldn’t overlook. It renders Superman powerless for a brief span of time. It sounds like only a more convenient form of kryptonite, but it gives Superman an opportunity that he hasn’t had before and it’s an opportunity he exploits in the story.

While learning about his new power under the observation of the Justice League, Superman reveals a side of himself that’s easy to ignore. Being so powerful, he’s hopelessly numb to certain human experiences. He can never know the joys of an ice cream headache, dumping tobacco sauce on a taco, or taking a dip in a hot Jacuzzi on a cold winter day. This is a man who takes punches from Mongol and falls into volcanoes at least once a week. These are human feelings he can’t experience. Now thanks to this power, he has a window with which to be human and he embraces it.

This in and of itself is a profound statement about Superman. Most superheroes who don’t rely on cosmic forces, enhanced biology, or gadgets that cost more than MC Hammer’s old house go out of their way to avoid losing their powers. They see losing this power the same way a typical high school student sees losing their smartphone. It’s like having a limb amputated. But for Superman, it shows that what he stands for goes beyond his powers. Doing the right thing doesn’t take the strength of Superman. It just requires the desire to do it.

This is a trait Superman has shown on many occasions, but one that’s becoming more and more relevant in an era where every superhero goes through an emo period. Being without his powers doesn’t discourage Superman in the slightest. In fact, he’s probably the most upbeat person in the Justice League when he’s without his powers in this story, except for Wonder Woman when she gets a chance to see him naked. The ability to actually experience being human without it involving a plot by Lex Luthor is exhilarating for Superman. To him, being human only reinforces why Superman is such an icon.

It makes for a fun and engaging story, following Superman as he partakes in some very human experiences. The fun ends for him, however, when he experiences one of the least appealing human experiences that doesn’t involve root canal. He gets hung over. Let that concept sink in. Superman, the icon of all things just and true, gets hung over after sharing a friendly meal with his friends in the Justice League. It’s as funny and outlandish. Anyone who has ever experienced a hangover after a Super Bowl party can appreciate its impact.

Yet despite being so hung over, Superman still wakes up the next morning and continues being Superman. Even with his powers returning, it’s very clear that he’s fighting the urge to curl up next to a toilet for the rest of the day. But he still puts on his cape and manages to do what Superman does, stopping a fairly typical battle involving street thugs armed with alien weapons. In any other context, it would be as generic as Peter Parker breaking up with his girlfriend. But the fact that Superman is doing this while fighting a hangover just adds an extra bit of value to the story.

It’s still a fairly short battle with few details worth remembering, but it’s not intended to be another epic struggle against Brainiac. It’s meant to show that Superman is still capable of being Superman while exploring human experiences. He doesn’t rely on his powers, nor is he hindered by human weaknesses. He still does the right thing, even when he’s fighting the urge to throw up every 15 minutes.

Superman #40 is an entertaining, condensed narrative that tells and important story. Some parts of that story are rushed, but the important parts are not glossed over. Superman learns more about his new power. He also learns more about human experiences, from the pleasant taste of a cold beer to the unmitigated agony that too many beers can incur. But he still finds time to be Superman. It’s a perfect summation of what makes him an icon among icons. Only now, he’s not just an icon that can inspire others to be better. He’s an icon they can share a cold beer with and that just makes him all the more heroic.

Final Score: 9 out of 10