Showing posts with label the Serpent. Show all posts
Showing posts with label the Serpent. Show all posts

Thursday, September 15, 2011

Fear Itself #6 - Awesome Grows Balls


Do you know what I fear? You know, besides running out of booze and weed? I fear a comic book series that has been so awesome turning to shit. When a comic series has been so awesome, few things are more tragic than seeing it take a gut-wrenching decline. It's more painful than watching a full season of the Jersey Shore. It's happened before. Ultimate Marvel is the poster boy for diving head first into a river of shit, setting itself on fire, and then pissing itself out into a smoldering heap of suck so bad that it would turn a black hole inside out. For a story as big as Fear Itself, the potential for that kind of downfall is definitely there. It hasn't happened yet, but it has only a few issues left with which to avoid this fate.

As much as I fear comics turning to shit, I love it when they surprise me with their awesome. I admit that I wasn't all that excited about Fear Itself when I first heard about it. That or my dealer just sold me some shitty ecstasy. But I gave it a chance because I haven't read a genuinely awesome Marvel event since Civil War. So far, it's delivered in ways you could only match with a Russian mail-order bride that's into S&M. It has a basic foundation, but on top of it Matt Fraction has build a solid pillar of awesome that affects characters from all across the Marvel Universe. The Serpent, Odin, Asgard, and all the godly elements that make Christian conservatives shit themselves is wonderfully balanced. There's a lot of action, but just enough heart. So with Fear Itself #6 being the penultimate issue, I'm excited and anxious to see how it pans out.

Fear Itself #5 defined itself as a knock-down, dragged out bar fight in which the beer was spiked with PCP. It had Captain American fighting Sin, Thor fighting Hulk and the Serpent, and the rest of the Avengers just looking for something to fight themselves so they wouldn't miss out on the fun. In the midst of this fighting, Odin continues to act like a total douche-bag by hanging humanity out to dry and hiding like a little bitch while his son flexes his god-like balls by taking on the Serpent. It was a pretty brutal issue and one that was a little mindless at times. However, it still worked and left the next issue with plenty to live up to.

At the beginning of Fear Itself #6, the fighting ceases and the Avengers are left scrambling for some Xanax. After taking on the Serpent and his hammer-wielding minions, Thor has taking a greater pounding than President Obama's approval rating. As a god of Asgard, he's supposed to be a heavy hitter. If he's the one falling in battle, then that's a clear sign that the Avengers aren't just fucked. They divinely fucked in ways only possible with god-like powers. Their only chance to save his holy ass it to haul it back to Asgard. You know, the place where Odin is hiding behind like a little bitch. So yeah, that's pretty fucked.


Captain America takes a small group of Avengers that includes Hawkeye and Miss Marvel to Asgard, leaving the rest of the Avengers to stay behind and guard what's left of the world (which ain't much). They arrive in Asgard to see Odin assembling an army of god-like figures. But it's not to liberate Earth from the Serpent. Heavens no, that might actually make him less of a dick. This army is solely to protect Asgard from the Serpent once he's done fucking over Earth. Odin is not pleased with non-Asgardians hauling his son's injured body into his domain. Steve Rogers makes it clear that there are in infinite number of fucks that he does not give. That earns him a holy bitch-slap, but to Odin's credit he does take his son to a place where he can rest. So he cares about his son, but he's still douche-bag.


With Odin making it clear that they're not welcome in Asgard, Captain America leads the rest of the Avengers back to Earth. Once he's back, he goes emo in a way that hasn't been seen on an American patriot since the final episode of 24. He has no faith in Asgard's ability to assist them. Not with Odin being such a tool. He also has no faith in anyone on Earth being able to stop the Serpent. For a guy that didn't surrender to the Nazis, that says a lot. Then again the Nazis just believed they were gods. The Serpent actually is a god. Cap starts musing over how they need to evacuate Earth. It's incredibly fucked up when it's impossible to tell if he's being sarcastic.


While Cap is turning into a walking Anne Rice novel, the Serpent is having what can only be described as an unholy orgasm. He's done such a great job of terrifying the shit out of the world that he has enough power to stick his dick in a black hole just for kicks. He's like Mike The Situation only he's actually as powerful as he believes he is. He talks to Sin about how the end is near and not in the way you hear schizophrenics bitch about when they're off their meds preaching on a street corner. He's actually gained enough fear to begin his assault on Asgard. So remember all those obscenely powerful minions of his that he sent magic hammers to? He basically summons them to his side so they can begin kicking some godly ass.



In the midst of all this gods acting like assholes and heroes acting like whiney bitches, it's easy to forget the personal impact that Fear Itself has had. It isn't just about gods kicking the everloving shit out of each other, although that is a major appeal. The Serpent has been all about scaring the shit out of ordinary people. So what about those ordinary people? Well in the midst of all this fighting, Spider-Man (the one that made a deal with the devil and not the one that got replaced by a fucking 13-year-old) breaks off from the rest of the Avengers to find his Aunt May. He eventually finds her in a crowd of people that is still in the process of shitting their collective pants in fear. But she's able to give him a nice pep talk, reminding him that he has a responsibility to not be a pussy like Odin. He also lies to her face and says that Peter Parker is okay, but I guess that's besides the point.

This kind of scene is like the antithesis of what was so dominant in the last issue. This goes beyond the destruction incurred by all this fighting and strikes at the personal effect that all this fear is having. It isn't just that people are getting their shit destroyed and their cell phones are working. It's more that their greatest fears are essentially ass-fucking them and they don't know how to clench their butts tight enough. So the personal touch works beautifully, especially at this point when the heroes of Earth are catching their collective breath and trying to ignore the pain in their asses from the beating it took.


We return to Asgard where Thor is in the process of healing. Along the way, his father is by his bedside and for the first time in this entire event he isn't acting like a total dick. That's right. Odin actually shows a little compassion here. Never mind that he's the one who threw his son back to Earth where he got his ass kicked. This time he does actually explain himself. He admits that the Serpent is his brother. He's so powerful that even the mighty All-Father couldn't beat him. The best he could do was contain him, but he ended up slaughtering a billion souls in order to do so. Okay, it's a dick move, but it's not like the Serpent wouldn't have fucked them over any worse. So knowing that Thor won't let Earth die, he does probably the second nicest thing he's done yet. He gives Thor his armor and the Odinsword which he used to slay the Serpent before. It's something that sure would have come in handy the first time, but better late than never I guess.

Like the scene with Spider-Man and his Aunt May, this is another solid personal scene that shows Odin not being an asshole. We also get a sense that he's not doing this just because he can. He really does fear the Serpent and he's done his best to protect what he loves, even if it means lying and being a douche. People do strange things for shit they love. Just ask John Hinkley. But most importantly, it gives Thor another reason to defeat the Serpent and it gives him the tools to do so.



It isn't just touching family moments that make up every movie that ever played on the Hallmark channel. We finally get to catch up with Tony Stark as well. Last we left him, he was getting shit-faced drunk as a way of calling Odin out. I'm not sure what the logic is behind it, but last I checked you don't need to have a logical premise to get shit-faced drunk. Somehow Tony's liquor retention made it so Odin let him use his workshop. Once there, Tony did what he did best (after having three-ways with supermodels of course). He built awesome shit that blows other shit up. He's been mixing Asgardian power with Stark technology. It's like mixing ecstasy with meth. It's a lethal combination and you may wake up with your pants around your ankles and a very sore asshole.


The end result is a new arsenal of badass weapons. He's prepared to distribute these weapons to all of Earth's mightiest heroes as they prepare to face the business end of the Serpent's unholy dick. If that weren't badass enough, Iron Man is prepared to throw himself in a vat of liquid uru so that he has the kind of toughness that you only see in Viagra commercials. It's ballsy, but when a fear-fueled god is fucking up your shit throwing yourself into a vat of liquid metal actually makes sense.



Back on Earth, the Serpent has gathered every one of his overly powered minions. Armed with their hammers and the kind of swagger you only see in old MC Hammer music videos, they're prepared to begin their assault on Asgard. So how does Captain America, the Avengers, and the terrified people of the world respond? They gather old rifles, ride up to the ruins of Asgard in pick-up trucks, and prepare to go Alamo on their ass. Yeah, the Alamo didn't end all that well for the Americans, but it's still pretty badass. We're left to assume they would just rather get slaughtered than be scared to death by the Serpent's shit. Again, it sounds irrational, but it makes a lot of sense. It also has Captain America being a badass again after being such a pussy early on. It's a great way to end the issue. Whenever an iconic hero's balls descend a little lower, it's like when a nerd gets a blow-job. It's a beautiful thing.



In every major event, there's a calm before the final battle. The stage has to be set for the big performance at the end and comics are no exception. Whereas the last issue was an orgy of violence with gods engaging in the kind of dick-measuring contests that brought down buildings, this issue had Earth's mightiest heroes picking up the pieces and preparing for a final showdown against the Serpent. In the process, Odin actually comes off as less of a douche-bag. We even get a chance to catch up with Tony Stark, who was pretty much ignored in the last issue. We even get a touch of the more personal elements with Spider-Man catching up with Aunt May. It's the kind of storytelling that nicely balances out the sheer insanity of such an unholy brawl like the one that transpired in Fear Itself #5. Alone they're okay, but together they make a great event even more awesome.

I'm not Buddhist, but I enjoy balance in my comics. I was a little concerned after the last issue that the rest of Fear Itself would be one big slaughter. Like a party at Charlie Sheen's house, there would be no logic to it. However, Matt Fraction was able to weave some personal elements into the story and prepare the Avengers for the big confrontation with the Serpent. As nice as these elements are, they lack details at certain points. We don't find out how Tony's Asgardian weapons will make much a difference against the Serpent. There's some explanation about the history of the Serpent and Odin, but it feels glossed over. There appears to be so much more going on here than, but it isn't fleshed out. Everything else is like a cold bear and a football game. It just works.

With one issue left, I'm very close to calling Fear Itself the kind of success that you can proudly stick your dick in without crying in shame. It's a story full of action and this particular issue gives it some much needed heart. Your eyes won't be gangbanged with unmitigated violence. Instead they'll be slowly teased and gently blown as the story evolves and flows. Now the final showdown is set and if you're not excited about it then you need to cut the beta blockers out of your diet. Fear Itself #6 gets a final score of 4.5 out of 5. Marvel is on the cusp of doing something special and they didn't even need to relaunch their whole fucking library to do it! For that, Fear Itself deserves all the awesome it gets. Nuff said!

Sunday, July 10, 2011

Fear Itself #4 - Assembling The Awesome


Four books in and Marvel has managed to keep me hooked like a Bankok transvestite hooked on meth with Fear Itself. I'll be honest. I didn't expect it to be as engaging. Big events involving the Avengers tend to get more convoluted and bloated than the Octomom when she's PMSing. Events like Secret Invasion and Siege have been needlessly complicated to me. They lack coherence. Fear Itself, like it's predecessors, has every other writer and their second cousin doing a spin-off book. However, the main title has kept things unified. You can follow just the main title and not get so lost that you wake up naked in an Amsterdam slum with toothless whore snorting blow off your ass. It's more basic without being too bland or mindless. It's just what Marvel has been missing in an event.

At the same time, the basic nature of Fear Itself has been a source of criticism. It's not unwarranted either. It's a book that has Nazi killer robots. That's as campy as it sounds. Yeah, it ditches the convoluted political undertones of Civil War. But Nazi killer robots? That's the kind of shit you would expect writers in the 60s to come up with during a bad LSD trip. I've still given Fear Itself high marks, but I have my reservations about how deeper this series can go and maintain the quality. So far I've been impressed. I want to keep being impressed. It feels good in a comic. Not as good if it came with a free bag of weed, but I'll settle for Marvel just keeping the damn thing interesting

Fear Itself #3 ended with some powerful moments. The battle against the killer Nazi robots in Washington DC went bad real fast. The Serpent grew his army by giving the wonderful gift of magic hammers to a collection of dangerous, pissed off superhumans who in turn used it to unleash an unholy terror on the entire planet. That terror feeds the Serpent the same way undeserved media attention fuels Charlie Sheen. As Earth's mightiest heroes weaken, the Serpent grows stronger. All the while, Odin is being a divine prick. He's shut off Asgard from Earth and basically insulated himself while all of humanity suffers. He knows what's going on. He knows just how fucked the world is and he's not doing a damn thing about it. He was nice enough to send Thor back with his hammer to help, but he still did it in a way that makes him a god-level dickcheese.

Fear Itself #4 follows this divine dick move. Thor arrives where this shit began in Broxton. This time the locals aren't so generous with their welcome. They no longer give a damn about all the tourism dollars that having Asgard nearby will bring. Thor's buddies have triggered a global fear event and now he's about as welcome as the gay pride parade in Saudi Arabia. Thor just shrugs his shoulders and flies off into the sea of pants-shitting terror that the Serpent has unleashed.


We then get a nice assessment of just how far the Serpents reach has gone. All over the world, the lucky bastards who got a hold of his hammers are having a blast and scaring people to no end. With every pair of pants that are shat, the Serpent grows stronger. It makes for a truly global scale conflict, the kind that should be legally required of every Marvel event. Odin picks up on this as well. He still comes off as a dick, but he also comes off as being genuinely scared of the Serpent. His power is basically terror with the personality of a cranky old man who is sick of having to rely on pills to get a semi anymore. He's basically willing to throw Earth and everyone on it under the bus. I get it. People don't worship Odin anymore or kill in his name, but he still comes off as an asshole. He also offers a pretty cryptic warning. Mankind's faith will basically be crushed. So the Richard Dawkins of the world may finally get their wish.


It's not like the Avengers' spirits aren't already wounded. If you'll recall, Bucky Barnes got roughed up in a way that only every Nazi in the Call of Duty games can relate to. It was a cryptic ending, but it's not so cryptic now. Bucky Barnes died. And this time Marvel didn't polybag it and use it as a lame sales gimmick (see Ultimate Spider-Man for how shitty those gimmicks can be). For this, I'm somewhat relieved. I'm also somewhat curious because if Marvel isn't making a big deal of this that either means Bucky isn't truly dead or they're just undoing the elaborate story that brought him back. Given how Marvel has used death as a gimmick more times than the last ten Friday the 13th movies, it's hard to tell. But it plays into the basic nature of the story.

Iron Man, Fury, Black Widow, and Steve Rogers (the REAL Captain America) all stand over and take a moment to mourn their loss. It's not glossed over. It's not overly emotional either. Black Widow is the only one that cries and why shouldn't she? She was boning the guy. But before Bucky 'died' he did offer the Avengers the first clue. He revealed the Serpent as the main douche-bag behind this global display of douche-baggery. Now the Avengers know who to take their angst out on.


So with Bucky fallen, Steve Rogers ditches the old knock-off costume which might as well have been Captain America lite and dawns his classic look. It only took a few years since he was 'killed' off. Sure, we elected a black president since then, but still it's not among the brain cells I've destroyed. So that lends little credence to Bucky's death. But I'm willing to overlook that because in his old costume, Cap can now assemble Thor and Iron Man as the big three. Since Thor is now back, they know who they're up against and they're ready to start kicking his ass.


Before his asshole can even clench, the Serpent ups the ante. All that delicious fear strengthens him the same way democratic scandals strengthen Ann Coulter's evil. From a simple lake, the Serpent goes out of his way to scar for life some casual fisherman and rise up his own little castle. I say little by god standards because it's probably big enough to get Donald Trump to raise an eyebrow. Just not big enough to make him ditch that stupid hair. It shows that the Serpent has arrived and he's got style with him now. Every other one of his minions feels it and like a kid who was just fed a box of sugar cookies, they're even more hyped up.


The big three each fly off into battle. Thor goes right for the Serpent. Captain America goes after Sin, who was responsible for Bucky's so called 'death.' I'll stop using those goofy quotes when it starts getting believable. They're met with the kind of resistance you would expect. Serpent's forces are playing like the New England Patriots against the Detroit Lions. It's not even close. But their presence does more than just add another body to the crossfire. It inspires everyone to kick more ass. However, it's what Iron Man does that's a bit more curious.


Rather than find the nearest fight and start blowing shit up, Iron Man does something that may or may not be all that productive. He flies out to confront Odin. Now keep in mind that Stark is a man of science. He takes the whole concept of Asgardian gods and magic about as seriously as Paris Hilton takes a lecture on quantum mechanics by Stephen Hawking. He demands to speak to Odin, calling him out in the sense that mankind no longer burns his effigies or worships him. So he decides to make an offering of his own. By offering I mean he chucks a bottle of booze.

Now why is that significant? I know getting drunk solves a great many problems with life, but what good could it possibly do here? Well keep in mind Tony Stark is a recovering alcoholic. In the history of Marvel comics, few people have been made more a jackass by booze than Tony Stark. He seemed to get sober and stay sober. Now he's basically sacrificing that for Odin. It's symbolic, something that adds some complexity to what is admittedly a basic arc. It's a nice touch that revisits a story that hasn't been touched on in a while.




It's not clear what Stark is trying to accomplish. The fights with Captain America and Thor are much more basic. Captain America makes it clear that he's going to take on Sin and she makes it clear that she's ready to kill Captain America a second time if he has to. When Thor confronts the Serpent, he no longer looks like a grizzled old man who just got fired from his Santa Clause gig for being drunk on the job. He actually looks like a dashing young 80s make porn star, complete with a mustache. It shows just how much power he's attained. When Thor confronts him, he drops a few more little secrets. He says that Odin is his brother and he usurped the title of All-Father from him. It presents a rather interesting question. Is Odin really the true All-Father? Or is Serpent? While you're digesting on that, he also claims that Thor is his nephew. Well if Odin is his brother, isn't that a given?

This scene was an opportunity to throw in more mystery or expand on others. It was already known to a point that Serpent was someone who was once in the running for the All Father gig. Then somewhere along the way Odin got the better of him and wasn't very nice about it either. This is where the whole simple approach to Fear Itself falls a little flat. None of this is very ground breaking. It moves the story forward, but it won't shock anyone more than an ant crawling along your toenail. The only intriguing part is how Serpent is so power that he's able to knock Thor around like a pinball with minimal effort.


When he lands, Thor finds himself caught between two of the Serpents hammer-wielding buddies. Both Thing and Hulk got their new Asgardian toys in the past few issues. They haven't really demonstrated them in this title yet (although they have shown up in the spin-offs, but I'm too busy/drunk to review those at the moment). Now the two of them are about to take on Thor and rather than shit his pants like the rest of the world, Thor prepares to take them on. It's hard to tell whether this is the beginning of a new battle or just the middle of the first one. I guess it could be either, but the comic ending here feels a little abrupt. It's not the worst way it could have ended, but like Kim Kardashian's sex tape it leaves plenty to be desired.



After reading this comic, it's worth bringing up it's basic nature once more. It's not a very complicated story. Nor is it full of many twists or turns. The Serpent being related to Thor is somewhat of a twist, but it's nothing too groundbreaking. This being the middle of the story, it's likely some of those revelations are still waiting in the wings. Even if they are, a few hints or even a light tease wouldn't hurt. Readers like me aren't overly demanding. Not every money shot has to be full frontal. A simple nipple slip is more than enough to add some extra intrigue. This issue really didn't have that. It was an oversized brawl with some of Marvel's biggest names. It did offer some dramatics with Steve Rogers dawning his Captain America costume again and Tony Stark falling off the wagon again with alcoholism. But again, it's pretty basic. It's nothing you need to write a college theses on.

It would be easy to criticize Fear Itself for simply being too basic. Some critics and fans have already said this. I could say this, but I won't. That's because Fear Itself isn't pretending to be more than it is. Yeah, Marvel's hyping it up. But they're not trying to polish a pile of shit and call it chocolate pudding. Fear Itself is exactly what it's billed to be, a large-scale battle with the Avengers and the Serpent. That's really all it needs to be and Marvel isn't trying to make it into anything else. So in that sense I can't say the simple nature of the book is a flaw. It's a welcome return to basics that make this one of the most accessible Marvel events in recent memory. Then again, my memory is fucked from years of pot smoking so maybe I'm not the best source for that.

Fear Itself #4 still doesn't offer the same impact as the previous three issues. It's the midpoint so it's going to get a little forgettable at times. The story doesn't necessarily drag, but it doesn't fall flat either. It's still coherent, which in and of itself is an accomplishment. There are no huge revelations that will blow your mind and there aren't any hints at future revelations. That doesn't mean they won't come. However, on it's own this issue simply delivers the core basis of Fear Itself. For that I give Fear Itself #4 a 4 out of 5. It's an awesome addition to an event that has delivered as promise. It's a great time to be a Marvel fan or to get into the mainline universe. Matt Fraction has done something really special here and he deserves all the praise and a few Brazilian hookers on the side. Nuff said!