Showing posts with label X-men Civil War 4. Show all posts
Showing posts with label X-men Civil War 4. Show all posts

Thursday, September 22, 2016

Infighting With Underdogs: Civil War II: X-men #4

The following is my review of Civil War II: X-men #4, which was posted on PopMatters.com.


A balanced conflict goes a long ways towards crafting a compelling narrative. While it is possible for an arm-wrestling context between the Hulk and Howard the Duck to be entertaining, it's not a struggle that's going to be all that interesting. Civil War II goes to great lengths to create a conflict in which the divisions between characters are genuine, understandable, and intriguing. It's as balanced as any conflict can be and it doesn't even need time travel, magic, or deals with Mephisto.

Creating a balanced conflict in Civil War II: X-men is already a challenge. Before Civil War II even begins, the X-men and the entire mutant race are stuck playing a rigged game while handicapped. They're on the brink of extinction yet again. They're despised, sterilized, and a good chunk of their top characters are either dead, time displaced, or holdovers from an apocalyptic universe. Even by underdog standards, the X-men are depleted in terms of what they can bring to a conflict.

This makes the tone of Civil War II: X-men so distinct compared to other tie-ins. The X-men already lost one war against the Inhumans. Now, they have Ulysses, whose precognition powers may as well be cheat codes. Cullen Bunn goes to great lengths drawing the lines between the X-men, crafting some level of balance between those who want to work with the Inhumans and those who feel they have one too many advantages at this point. Civil War II: X-men #4 maintains that balance for the most part, but doesn't take it far enough.

There's nothing elaborate or subtle about the narrative. This final clash between Magneto's team and Storm's team is effectively streamlined into a single, simple clash. It's light on drama, but solid on details. Andrea Broccardo's art makes this clash visually engaging and well-organized. Mutant battles tend to get chaotic, but since this one doesn't involve time travelers, it's a lot easier to follow.


While the infighting makes up the bulk of the story, it's Magneto who gives the narrative some personal dimensions. More than any other character in this tie-in, he establishes himself as a hardened realist. He now operates on a level that's several steps beyond the debate between his vision and Charles Xavier's dream. He sees the mutant issue as a struggle for survival now and the Inhumans are actively undermining that survival. Giving them an advantage at this point would be tantamount to running up the score.

This emphasis on survival and fighting those who undermine it isn't knew for Magneto. What Civil War II: X-men #4 does is frame it in a new context, one that makes the infighting among the X-men feel somewhat misguided. In this context, Magneto's approach is actually more understandable than Storm's in a backwards sort of way.

Storm wants to work with the Inhumans just like Charles Xavier wanted to work with the human race. However, the conflict with the Inhumans is a bit more specific. A cloud that they unleashed is killing an entire race and they refuse to do anything about it. Working with them has produced little to no tangible results. This makes Storm's efforts to coordinate with them seem misguided. Her heart is in the right place, as it often is, but it disrupts the fragile balance of the conflict that makes the Civil War II narrative work.

This balance is somewhat restored once Magneto gets a chance to interact with Ulysses. This ends up being far more meaningful than any interaction he could have with Storm. The discussion they share is significant in that it forces Magneto to re-evaluate his tactics. However, this meaningful interaction ends up leading to a bland and inconsequential conclusion.


There aren't any meaningful changes that emerge from this clash between Magneto's team and Storm's team. Once Magneto meets Ulysses, the battle just ends. There are no major scars. There are no serious injuries that can't be treated with off-panel magic and bed rest. There aren't even any major consequences to lies, betrayals, and deception. The characters just shrug it off, as though it happens every other week.

What makes this outcome somewhat palatable is the context behind it. Magneto, being a cold and callous pragmatist at heart, sees how this conflict will play out and quite literally. The only way to make sure that he's in a position to protect his people and take on the Inhumans again down the line is to just swallow his pride and leave. It's an inglorious way to end a conflict, but it's perfectly in line with who Magneto is and why he does what he does.

That's not to say there isn't some kind of meaningful impact in Civil War II: X-men #4. It does add more bricks to the foundation on which the X-men and Inhumans will clash down the line. It also supplements some of the ongoing tensions within the teams, such as Magneto and Psylocke. These bits and pieces of progress aren't enough to give the overall story enough weight. It still feels like an overblown round of infighting that doesn't amount to much.

In the ongoing debate between aiding the Inhumans and fighting them, the balance may very well be too fragile to function. Civil War II: X-men #4 only reinforces the inevitability of another clash between these two teams. It also further proves that such a clash may not be a balanced one. At the end of the day, one side still has its movie rights. The other is tied up with another studio. Even with X-men being the ultimate underdogs, it doesn't feel like a fight that'll benefit them in any way.

Final Score: 6 out of 10

Wednesday, September 21, 2016

Civil War II: X-men #4: Nuff Said!

If you're playing Call of Duty and you know there's an asshole on the opposing squad who's cheating, your first inclination is to either do something about it or call the kid's mother a whore. As human beings, we do value fairness to some degree. Unless we all get to cheat, we get pissed and want to see the cheaters punished, shamed, and humiliated. Unfortunately, Marvel is willing to give a past to a group of Racist Xenophobic Slave-Owners.

They now have Ulysses, a precog who can win every fantasy sports league without breaking a sweat. He's already saving the world and getting other heroes killed. Now, some in the X-men are a bit uncomfortable with the Racist Xenophobic Slave-Owners gaining even more of an edge. They've already got their own country. Their fart cloud is sterilizing mutants and exiling them to a fucking demon realm. That shit just isn't fair in the slightest and Magneto is trying to do something about that.

The odds are against him though and some X-men are actually willing to team up with the Racist Xenophobic Slave-Owners. How sad is that? Civil War II: X-men #4 doesn't promise much fairness, but it has Magneto doing what he does best. The fact it's easier to root for him over Storm really says something.


Why is Magneto so easy to root for? Well, Storm and her people are hiding out in a fucking demon realm while the Racist Xenophobic Slave-Owners' big green fart cloud roams the Earth, maiming their fellow mutants. Magneto is confronting the source of that big fucking fart cloud. Which one do you think is being more proactive?

With Rachel Grey's help, he fights his way through New Attilan like a motherfucking boss. Rachel tries to tell him that these people don't hate him like he thinks. However, she also fails to give a damn good reason why they're not doing jack shit about the big fucking fart cloud that's maiming their entire species. Yet they're still considered fucking heroes? If I were Magneto, I'd shit in every one of their sinks just to send a message. Sadly, he doesn't have time for that. He has to get to Ulysses, who naturally expects his arrival. He's a fucking precog. He probably knows how much the Cleveland Browns will lose by this Sunday.


While Magneto is busy taking the fight to the asshole Racist Xenophobic Slave-Owners who are butchering the mutant race, Storm and her team are busy fighting their fellow X-men. Seriously, I'm very uncomfortable rooting against Storm to this degree, but she's making it goddamn hard.

At the very least, she shows she can put up a damn good fight and Andrea Broccardo's art makes it a damn pretty sight. The problem is, she's fighting Arcangel. This guy is a fucking horseman of Apocalypse. He's supposed to bring war and death. A fucking thunderstorm may as well be pillow fight for him, minus the sexy co-eds. So of course he gets in a nasty shot that knocks Storm out of the sky and for once, it doesn't bother me. Again, I'm very uncomfortable with that feeling.


Cut to Old Man Logan beating up Sabretooth and just like that, I'm comfortable again. Throw in fights between Mystique and Psylocke, as well as Gambit and Fantomex, and there's something for everybody to enjoy. Mystique and Psylocke's battle makes my penis happy. Gambit and Fantomex's battle should make the gay crowd happy. So everyone's penis should find a reason to enjoy this on some levels and that's never a bad thing.

It's still X-men fighting X-men though. At a time when they're getting sterilized while Racist Xenophobic Slave-Owners just laugh while jerking off from afar, this feels unproductive to say the least. Then again, it is part of a Civil War event. So if heroes weren't fighting heroes, then that would be flagrant false advertising. We get enough of that from pharmaceutical ads so I'm glad X-men aren't adding to it.


As this battle is going on, making everyone's penises very happy, Magneto finally confronts Ulysses. Keep in mind, this kid isn't a fighter. He's a fucking college kid who just became ground zero for the latest superhero shit storm. So standing in the shadow of fucking Magneto, a guy who will snap your neck with a goddamn smile if he thinks it'll protect the mutant race, is pretty damn terrifying.

Knowing this, Ulysses opts not to fight. I can't tell if he shit his pants, but I imagine he's resisting the urge with every ounce of strength. Instead, he tries to talk Magneto down. He claims he's not a weapon that'll be used against mutants. Then again, he's new to the Racist Xenophobic Slave-Owners so he probably doesn't know how few fucks they give about screwing over entire races. He also drops an ominous hint about how this shit will play out. If he has any cards at all to play, it's that he can see how Magneto's bullshit will screw him over.


Meanwhile, the battle with the rest of the X-men intensifies. Sabretooth and Old Man Logan bloody each other up a bit more. Nightcrawler kicks his mother in the face. Fantomex and Gambit rough each other up. It's standard, but satisfying. This isn't Cyclops and Wolverine fighting over an old pair of Jean Grey's panties. This is a fairly typical X-men vs. X-men clash. It's not Lord of the Rings epic, but it's not Weekend at Bernies cheap either.

It finally steps up a notch when Storm's team brings in some bigger guns. That includes O5 Jean Grey, Magik, and a Sentinel-packing Cerebra. This finally gives Storm's team a chance to ditch Magneto's team so they can catch up with him before he gives the Racist Xenophobic Slave-Owners another reason to sterilize them. Again, I still feel very odd rooting for Magneto at this point.


It seems like they're really going to fuck each other over, trying to stop Magneto from fighting the Racist Xenophobic Slave-Owners. The concept alone just feels wrong, considering how fucked the mutant race already is. It doesn't look like it's going to turn out well for either side. If anything, it'll give the Racist Xenophobic Slave-Owners more reasons to laugh their ass off and jerk off with the blood of innocent mutants.

Then, this concept gets royally fucked when Ulysses shows Magneto one of his painfully accurate visions. In that vision, he sees just how much more he'll fuck over the mutant race by continuing this fight. It involves a dead Jean Grey, a dead Monet, a dead Iceman, and a dead Nightcrawler. It's pretty fucking terrible, but it also has a dead Beast so let's call it a push.

Either way, it gives Magneto enough pause to reconsider. He knows how annoyingly accurate this kid's visions can be. He also knows that any future that involves a dead Jean Grey tends to get fucked up real fast. While he may be a ruthless motherfucker with little love for Racist Xenophobic Slave-Owners, he's a pragmatist at heart.


So he just leaves. That's right. That's how this clash ends. Magneto just shrugs his shoulders, curses under his breath, and fucking leaves. It's as anti-climactic as it sounds. At the same time, however, it makes the most sense. Like I said, he's a pragmatist. He doesn't just go on random mutant crusades because it gives him a boner. He likes his crusades to have a fucking point. He knows this one won't give him that. So he just leaves.

It makes for somewhat of an awkward moment between Rachel, who fought by Magneto's side, and Storm's Extraordinary team. Then again, she's in the presence of her time-displaced teenage mother. Awkward is kind of a moot point for her. She basically just asks as a buffer, keeping the two X-men teams from fucking each other up any further. They need to save their strength for when they get a chance to get back at the Racist Xenophobic Slave-Owners. They'll need it.


Speaking of the Racist Xenophobic Slave-Owners, of which I've already said way too much about, Magneto does manage to get one last message to Queen Medusa, also known as the only redhead in comics I don't jerk off to. They have a brief, but tense conversation where Magneto makes one thing clear. The next time he shows up on their doorstep, he's not going to come hoping to share freshly baked cookies. He's going to come to end their bullshit once and for all. Medusa doesn't seem opposed to this in the slightest. I guess Racist Xenophobic Slave-Owners don't care how many people they piss off at this point. They got fucking movie rights on their side. They have the advantage.


It's still a bit of a whimper to say the least. Pretty much nothing changes as a result of this clash. Magneto goes back to his base. Storm goes back to her. Storm doesn't even give Nightcrawler any shit for joining Magneto. Yet she still gives Cyclops all the shit in the world? How the fuck does that make any sense? Maybe she should've slept with him at some point. That might have made her more understanding. It worked with Emma Frost.

With Magneto, he's done enough shit for one day to convince Rachel that this isn't the crowd she wants to run with. He also earned himself a slap in the face from Psylocke. However, a slap from Psylocke is likely to give most men a boner so I'm not sure Magneto can say he lost too much. At the very least, he gets both teams of X-men geared up for the moment when they'll have to fight the Racist Xenophobic Slave-Owners. Hopefully by then, they'll run out of reasons to blame this shit on Cyclops.


So...is it awesome?

Well, let me sum it up like this. Was it action packed? Fuck yeah. Was it entertaining and enjoyable? Fuck yeah. Was it somewhat anti-climactic at the end? Sadly, that's also a fuck yeah. At the very least, though, it was a fitting kind of anti-climax and outside a slasher flick, that's not usually a good thing. In this case, it works because it makes use of Ulysses' powers in just the right way. It also makes use of Magneto's tendency to not piss into the wind when he knows he can't win. He may be a ruthless motherfucker, but he's not stupid.

That lack of stupidity means that this clash could only end with a whimper and never a bang. That's kind of a drag, but it's not like the whole thing cut to a car insurance commercial or something. Some of the outcomes are forced. The fact that Storm just shrugs off Nightcrawler joining Magneto is pretty fucking ridiculous. If only traffic cops were that forgiving. It may improve my driving record, but it doesn't help this book. In the end, too much shit gets cut off in Civil War II #4 before any real drama emerged. Sure, it gets cut off for a damn good reason, but like neutered dogs, it comes at a price.

Final Score: 6 out of 10