Showing posts with label X-men 7. Show all posts
Showing posts with label X-men 7. Show all posts

Thursday, November 21, 2013

Scanned Thoughts: X-men #7


When women ban together for anything that doesn't involve an orgy in a porno movie, they're every bit as deadly as any gang of men. I don't just say that to ward off angry feminists who send me hate mail on a regular basis. I say that from experience. It's hard enough dealing with one angry woman, but a whole team of them? That's enough to make any man's penis shrivel in fear. Yet that's exactly what the all-female team of the X-men are facing in the post-Battle of the Atom world. It makes sense, doesn't it? A new team of female X-men form. Therefore, a new team of female villains should form. Just because it makes sense doesn't make the concept any less painful for anyone with functioning testicles. So as I review X-men #7, I will keep them tucked away for their own protection.

It’s a common misconception that only old rich men who can’t get an erection without a bottle of Viagra are inherently evil. Young, attractive rich women can be every bit as inherently evil. Ana Cortes certainly doesn’t look that evil when she is first introduced. She looks basically like a Latina Paris Hilton who hasn’t put out a sex tape or had her own reality show yet. And like Paris Hilton, she didn’t earn her money. She inherited it from her father. And after he died, she now has all kinds of money and a lot of free time, which are two of the most important ingredients to evil. And like Charlie Sheen, she needs drugs to unlock that evil, which she gets courtesy of her strangely familiar female assistant looks like an extra on the set of lesbian porn.


But this woman apparently has access to drugs that are much more potent than anything Charlie Sheen has ever taken, as hard as that may be to believe. Through some creative and engaging inner monologue, we find out that these drugs have unlocked Lady Deathstrike from within Ana’s persona. That’s surprising considering Lady Deathstrike is supposed to be dead, but then again death is no worse than the common cold in the Marvel universe, provided the character in question isn’t named Jean Grey or Gwen Stacy. She apparently convinced some rich Latina bimbo to share her body so that Lady Deathstrike could have access to her funds. It’s ingenious and pragmatic, but how anyone could convince some upper class bimbo to share her body like that without the promise of undeserved fame and powerful drugs is beyond me.


As Lady Deathstrike is enjoying a new body and new access to resources, Jubilee is enjoying some welcome news from Storm at the Jean Grey Institute. It’s official now. She’s a single, vampire, adoptive mother. Storm, who I imagine threatened a new ice age to the Hungarian government, made it official. They’re not going to press charges against a teenage vampire who wants to adopt one of their infant citizens. They probably don’t know that this baby is going to be living in a school that gets blown up every few years with a teenage girl who also happens to be a vampire, but I doubt they care. They probably have bigger problems to worry about, like how to attract more rich American tourists to their red light district.

And that’s not the only good news either, although it’s not clear whether it qualifies as good. After Jubilee finds out she’s now a single mom, Monet shows up and reveals that Storm is letting her stay at the institute while she “rests and recuperates.” I’m pretty sure that’s code for “she’s dry humped karma and now it’s screwing her over.” It tapers Jubilee’s enthusiasm because of their history. And it’s not clear which part of that history has screwed her over, making her appearance a bit contrived. But it’s another beautiful, tough woman on a team of all-female X-men. And like an orgy with Playboy playmates, more is better.


Monet quickly makes herself at home, meeting up with Omega Sentinel and Beast in his lab. Omega Sentinel, who is fresh of her unexpected awakening from her coma at the hands of Arkea, is still recovering and for some reason, running on a treadmill while Beast takes in data is supposed to help with that. That sounds like treating a recovering alcoholic with cocaine. But it effectively continues the plot with Omega Sentinel that began in the first arc while throwing Monet into the mix.

That mix isn’t all that compelling at first. Monet makes it clear that she didn’t come to the Jean Grey Institute to put on a spandex uniform and beat up Sentinels. If she wanted that kind of stress, she would work for the mayor of Toronto. She’s at the institute to unwind, which is like going to Afghanistan for a vacation. But for whatever reason, she connects with Omega Sentinel in a way that isn’t easy to masturbate to. They talk about coming back from the dead, which has already been established as a major theme of this issue. So I guess it’s fitting in some respects.


Since Beast’s lab is about as relaxing as Jerry Sandusky’s basement, Monet invites Omega Sentinel to do some more traditional running by going on a jog in the countryside. It’s not a bad idea. Some people do relax by jogging in the same way I relax with beer and porn. I would still argue that my method is more effective, but who am I to judge? But at the very least it should give them some additional bonding time without Beast being a douche to mess it up.

However, this pleasant little fun run is rudely interrupted when Lady Deathstrike, now the dominant force in her new body and sporting some badass new body paint, drive by with some well-paid thugs. She probably thinks she’s luckier than a rat in a cheese factory because she apparently didn’t know that Omega Sentinel woke up from her coma recently. She hired these thugs to break into the Jean Grey Institute and bust her out. She must have been having multiple orgasms when she found Omega Sentinel just running out in the open. They attack the two ill-prepared women and effectively ruin any further efforts at relaxing.


Like any prank involving horse shit and crazy glue, having the element of surprise goes a long ways towards making it work. Lady Deathstrike’s thugs successfully wound Omega Sentinel, leaving her more vulnerable than a chocolate cake at John Goodman’s house. But Monet has a pretty extensive array of powers and since Omega Sentinel took a bullet, she takes it upon herself to make these assholes pay for ruining her relaxing getaway. She takes out Lady Deathstrike’s thugs, which makes me wonder how long they would have lasted if they had to actually break into the Jean Grey Institute. I have to think that Storm would have shoved fifty bolts of lightning up their asses and Wolverine would have peeled their skin off like a banana, but Lady Deathstrike is not dissuaded. How can she be when she looks like a professional wrestler?


When Monet and Omega Sentinel return to the Jean Grey Institute, Storm and the other all-female X-men team are understandably skeptical and disturbed to hear that Lady Deathstrike is back. But none of them seem too surprised. I figure they’ve long since accepted that their hated enemies never stay dead. It warrants a quick and thorough investigation, knowing that Lady Deathstrike can never go too long without eviscerating someone. She’s like a coffee addict with no Starbucks to feed her addiction. And Monet offers to be part of the fight. Even though she’s supposed to be lying low, she feels obligated to help Omega Sentinel since she took a bullet for her. It’s a somewhat weak explanation since it hasn’t really been explained why she needs to lie low in the first place. It doesn’t help that the dialog is somewhat weak as well. But it gets the point across that the all-female X-men are going to fight back against Lady Deathstrike.


This isn’t the only instance of weak dialog. Jubilee, whose role on the team is still unclear since she has a baby now, meets up with Roxy, who she was supposed to meet up with earlier. She talks about how she tried to ask Mercury out on a date and ended up getting punched. Most straight people who get hit on by gays tend to be flattered so I can’t imagine why Mercury would want to punch her. But Roxy makes it clear that she’s already over Mercury and now she has a crush on someone else. Then she proceeds to look at Jubilee the same way a teenage boy looks at his first pair of boobs.


The innuendo in an all-female X-men comic is sure to piss of feminists, but they may take comfort in seeing that Lady Deathstrike has teamed up with another woman in a completely non-lesbian sort of way. That assistant from earlier who looked way too hot to be an assistant for someone not named Donald Trump reveals that she isn’t just some overpaid pretty face. She’s fucking Typhoid Mary, the second most devious redheaded mutant after Hope fucking Summers. She was the one that helped Lady Deathstrike set up shop in a new body and now she’s going to help Deathstrike fuck with the X-men. It’s a beautiful thing and both my brain and my penis agree for once.


After reading this comic, I'm honestly not sure how angry feminists will bitch about it. I can see how they would piss and moan at the first arc, which involved an all-female X-men team relying on a man in John Sublime (granted, he's not a man as much as he is a sentient grouping of sludge) to help them defeat Arkea. I really don't know how anyone who wants to bust the balls of every man within a five-mile radius can be upset about this book. It brings in yet another female character to join the all-female X-men. It also introduces two dangerous female villains. It might as well be entitled X-men: No Dicks Allowed. And it still worked in a way that still made it feel like a regular X-men book and not one that focused only on showing Psylocke's ass or Monet's cleavage. It's enough to stimulate both the mind and genitals. For that, feminists should find plenty to enjoy in this issue and so should men with functioning penises. I give X-men #7 a 7 out of 10. It has single mothers, non-lesbian friendships, and disembodied souls from pissed off enemies. It's like Desperate Housewives with mutants, minus the overly sexual undertones. But that's okay. Perverted men can still make good use of their imagination while angry feminists will always find a reason to be pissed off. Nuff said!

Thursday, November 14, 2013

X-men #7 Preview - Random Returns

As someone who has blacked out many times and returned with little explanation and no pants, I'm in no position to judge characters who are MIA for a long time. I understand that the Marvel universe is a big fucking place and not every character can be properly scrutinized. That would be like trying to count the pubic hair on a porn star's snatch rather than enjoying the package as a whole. And given the size and breadth of the X-men, it's not uncommon for some characters to just disappear for a while without even the common courtesy of a tragic death.

But with Kitty Pryde giving the finger to and ditching the Jean Grey Institute with the Original Five, Brian Wood's all-female X-men team has a vacancy. And like a struggling football team checking the waiver wire after getting shut out on Monday Night Football, they're looking to tap some under-utilized talent. I like to think that it's not just because Marvel has a quota of beautiful women to fill, although I strongly suspect that their coveted male demographic demands it. Brian Wood already announced last month that his all-female X-men team would be facing a reborn Sisterhood of Evil Mutants. Naturally, they need more girl power to compensate for Kitty Pryde's departure. And in a preview released by Comic Book Resources, we find out that someone literally just barges right in to fill the void.


I'm all for beautiful women just coming out of nowhere and making themselves at home. It makes for a great porno, but not a great comic. My penis still approves though.

So Lady Deathstrike is back and has a pussy boner for bringing shit back from the dead and using it to fuck with her enemies. I guess that makes her a metaphor for every creepy goth kid that ever lived. And while it is nice to see the details of Jubilee's adoption of Shogo get addressed, Monet sort of ruined the moment. She might as well have barged in on Iceman while he's jerking off to old pictures of Kitty Pryde. I know I make a big deal about the little details in my reviews, but they really do make a difference. They are what separates the good comics from the awesome comics. I hope that there's more of an explanation of why Monet has decided to re-join the X-men. If there isn't, I'm just going to assume she's bored and too embarrassed to buy a vibrator.

I'm glad to see Wood keeping the girl power aspects of the story. The only characters with dicks in this preview are Shogo and Beast. Granted, I think Shogo is more man than Beast at this point, but I think angry feminists will be pleased with this setup. Then again, I know some probably won't be pleased until Wood does an arc that involves every female X-men taking turns castrating Wolverine. That probably won't happen outside Hillary Clinton's wet dreams, but at a time when women are keeping assholes like Mitt Romney out of public office and getting a new Miss Marvel, I think they have a lot to be proud of. Nuff said!

Sunday, February 6, 2011

X-men #7 - Rebuilding Awesome


Before I begin, I'll point out the 800-pound-gorilla humping the couch that everybody probably noticed by now. Yes, I'm reviewing the latest issue of the new adjectiveless X-men series. I know it came out last week, but last week had so many major books coming out that one of them had to be pushed back. Since the X-men series earned itself a time-out with the shitty conclusion of Curse of the Mutants, this series was the odd man out. I also know that it would have made more sense to review this book first before I got to any books that came out this past week. Again, this X-men series lost my respect. It did the equivalent of taking a dump in my sandwich and calling it an exotic Mexican dish. Seeing as how I was looking forward to Brightest Day #19 more than the second coming of Christ, I pushed this title back again. Now I'm here and I'll review it. Don't bother pointing out my tardiness in doing so. Anyone who complains about it will be cursed with rectal warts.

I know I made a big deal about the failings of the first arc of this series. Marvel is full of a lot of smart people (who may or may not get high frequently enough) so they should know that when you release a series that's simply called X-men that the expectations for it will be high. To make a title in the same tradition of Chis Claremont and Jim Lee the title better be the comic equivalent of two lines of cocaine on the crest of Jenna Jameson's ass. Curse of the Mutants was the first arc and while it started off promising, it did a Hindenburg style crash coupled with a Kanye West/Taylor Swift incident. The arc ended in the way George W. Bush's presidency ended in that it didn't come fast enough and was marred by ineffectiveness.

Now it wasn't all bad. Curse of the Mutants did do a hell of a lot more than old W did to redeem itself. This arc led to the new Wolverine and Jubilee series, which turned out to be a freshly cut diamond encased in a layer of solid shit. It also didn't overthrow two nations and cripple the economy, so there's that. Also, it didn't kill anybody or muddle any of the characters in face-palming indignity (except for maybe Xarus) so the book did leave itself open to redemption. Now a new arc begins and this one brings with it the promise of something that won't fizzle out like Brett Favre's football career.

The theme of the new arc takes the X-men back to basics. The war against Bastion is over and mutants aren't going extinct anymore. So the idea is to get them back to being heroes again and playing a bigger role in the Marvel universe. It may not seem like a novel idea. A grade-school essay could probably come up with that idea, but it's the simplicity of the concept that makes it so appealing. Anyone who has grown tired of all the doom and gloom the X-men have faced since House of M has probably overdosed on Prozac by now. This may be a boon to your overpriced insurance plan. X-men #7 begins this arc with something that isn't ominous or some gloomy shit like that. It starts off with the X-men doing what they used to do back in the Lee/Kirby days, using their powers to save lives. Angel demonstrates just how simple and awesome this can be when he saves the life of a suicidal girl who tried to jump of the Golden Gate Bridge, which I assume means she never got a response from the letter and naked pictures of herself she sent to Robert Pattinson.


Aside from saving teenage girls from their irrational hormonal salves, Colossus flexes his muscle while protecting DC's copyright lawyers from a team of Joker wannabes who tried to rob a bank. Yeah, it's a little cliched. Some may roll their eyes and for those people, they deserve to get lasik surgery from a doctor with Parkinsons. This is X-men in their purest form, protecting people in a world that hates and fears them. Usually we only get this sort of shit in a flashback or a mini-series like X-men First Class. It takes a moment to realize that this is actually happening in a 616 X-men title. For some it means the meth has to wear off, but once it does it's startling in a good way.


All these heroics aren't just for the hell of it either. It's part of Cyclops's latest plan that doesn't involve fighting invading vampire armies or getting Emma Frost to dress up in a Phoenix costume. Now that the war is over, he's making a push to make the X-men heroes again rather than the equivalent an LA gang with crazy tastes in uniforms. Several issues ago in Uncanny they hired a PR firm to help them improve their image.

Wait...they hire a PR firm in Uncanny and don't do shit with it until this issue? I bring that up because it may confuse the hell out of some readers. Unless you've been following Uncanny, you won't get that little tidbit and you'll wonder who the hell the chick with the glasses is and why she looks like one of those secretaries in office porn videos. It makes for disruptive pacing, but once you get over it you see the reason for doing with the X-men what BP has been trying to do since they pained the Gulf Coast black. The idea is to make the X-men to San Francisco what the Avengers are to New York. So they track opportunities for heroic, be heroic, and make sure their heroics hits the media. It's not that different from what celebrities do except it's a hell of a lot more effective than a fundraiser.


For Cyclops, it's not about apologizing for the whole Bastion-encasing-the-city-in-a-giant-energy-dome ordeal or fighting-a-war-against-an-army-of-vampires type deal (although I'm sure it would help).  He wants the world to love the X-men. Not fear or respect them, but love them in the way they love Captain America or Brad Pitt. Their PR guru believes they can do this by utilizing social media like Facebook, Twitter, and the web to get the word out of their heroics before the assholes at Fox News smear them. It's a very modern and utilitarian approach to PR that worked for Justin Bieber and Lady Gaga. So why can't it work for the X-men? The world loves big and flashy shit. You can't get much flashier than the X-men. The sad part is if the X-men really existed in the real world, that would probably work. It's unusually relevant for a comic book that just had an arc about killer vampires.


So while the X-men have hot blonds in dresses doing the grunt work with the media, they make a push of their own. As anyone who works with PR knows, they're always bitching about getting material to work with. So as part of Cyclops's endeavor to make the world love the X-men, he gets Cypher and Warlock to find some problem that law enforcement can't handle and that the Avengers are too busy or too ambivalent to handle. They find a problem in the once place that the Avengers are too snooty to wage a battle in...the sewers. There's something brewing in the sewers of New York and it isn't the usual cocktail of rats, roaches, and the shit of eight-million-people pissed off for being stuck in traffic and having to pay a hundred bucks to park your car. I guess the way Cyclops sees it, if the world sees that the X-men are willing to literally wade through shit to get love then the world won't have any choice but to throw themselves at them like drunk college girls at Ben Rothlesburger's birthday party.


So they have their mission and Cyclops decides to send a small team to investigate. That team includes Storm, Wolverine, Gambit, and Emma Frost. Wait a sec...Emma Frost is going on a mission without Cyclops? Did I just take one too many shrooms again? I'm sorry if I'm making a big deal out of something minor, but for nearly a decade of X-men comics the only missions Emma Frost seems to go on are ones where she's arm candy for Cyclops or trying to protect her role as arm candy to Cyclops. Either his semen tastes like chocolate or she's growing into a Jean Grey 2.0. So it comes as a mighty relief that she decides to tag along with the team and not be Cyclops's trophy girl. Emma fans may start stroking themselves more than they already do at this news.

Beyond Emma's non-Cyclops oriented role, the team is small because the incident they're tackling is not the same as an army of vampires. It's a mystery in the New York sewers. That doesn't exactly require an entire legion of superheroes. So Emma, Wolverine, Gambit, and Storm seem like enough. They venture into the sewer with the same enthusiasm as kids venture into the dentist. It's rather humorous for Emma Frost, who is used to bathing in $700 an ounce perfume every night. She has some witty remarks along with the others, adding a nice contrast to the nature of the mission. Wolverine, Gambit, and Storm all have experience in sewer dwelling. It's nice to have someone who adds a little contrast while wearing skin tight outfits that show off big breasts.






They follow the trail Sherlock Holmes style if Holmes was a hobo. Then it gets a little confusing. On one undersized panel, something hits Gambit. Now when I say something I don't mean someone this time. There's no figure or shadow or even disembodied spirit. There's just this tiny little streak that no one else seems to notice and it's strong enough to knock Gambit down. Either it's the world's strongest firefly or the world's lamest clue. Maybe it's the weaker art, but it's really not clear what the hell happens and because it happens in such a small way it's easy to miss. You could gloss right over it and never knew it happened. I'm not sure if it's the result of being too subtle or too poorly organized.


Now after the confusion wears off, they keep navigating through the sewer. Again, it's really confusing what just hit them and there isn't even an ominous hint about what it could be. When the team finally does stumble across a clue, it's not ominous at all. They find the equivalent of John Wayne Gace's basement. Whereas the last arc involved killer vampires, this one seems to involve either zombies or partially minted mummies. I get the sense that the writers at Marvel are horror fans to an unhealthy degree.


Like so many horror movies before them, these decomposing corpses spring to life and attack. They're about as welcoming as a hung over Charlie Sheen. Evil Dead fans will get a treat here as the X-men channel their inner Bruce Campbell and fight their way through. It makes for some nicely developed action sequences, even if they are somewhat muddled by the dark ambiance. But they're in the sewers so it makes sense. As they fight, some additional clues seem to emerge. These Resident Evil rejects are fresh in the sense that they haven't been sewer dwellers for very long. It adds to a mystery. Even if it's not the most elaborate of mysteries, it's a hell of a lot more refined than just staring down an army of vampires and finding ways to make a 300 style battle scene. Sorry, but this is NOT Sparta.


The battle and the mystery unfold. Since the X-men have the benefit of superpowers and being alive and shit, they get the upper hand. So once they fight their way through, they look to take one of the creatures away for testing that may or may not involve an anal probe (remember, Emma Frost is with them so she may know a thing or two about that). They chase after one that tries to get away and then they meet another creature, but this one is more familiar. It leads to an end page that shouldn't be too surprising because it was hinted at on the freakin' cover. Whereas the last arc crossed the X-men over with their old (former) friend Blade, this one brings in everyone's favorite wall-crawler who likes to make deals with the devil and sacrifice his marriage. That's right, Spider-Man is in the X-books once again! He's on the same case as the X-men and assume he's not a clone, the seeds of another superhero crossover are sewn!


So here we are, a new arc in a series that fell flat on it's face with the first arc. While I was jaded after Curse of the Mutants, I didn't consider giving up this series after just one arc. The mission statement for this book is solid. Bringing the X-men into the greater Marvel Universe makes sense after shit like Second Coming and the Heroic Age. Starting it off by having the X-men fight a bunch of vampires qualifies as a it-seemed-like-a-good-idea-at-the-time type deal or maybe a and-then-we-started-drinking-tequila- type deal. After reading this issue, I feel as though that this is the arc X-men should have started out with. It gets them back to basics. The X-men are playing the role of heroes again and are seeking to rebuild an image that was mired by assholes like Bastion. Getting them back to New York and bringing Spider-Man into the picture takes this simple concept and scales it up. X-men #7 takes this concept and makes it work.

Now I'm going to try and not base my criticism of this book completely on the bad taste left in my mouth by Curse of the Mutants. This book was good, but it did have some flaws. The art was a bit of a downgrade. It seemed a lot more sloppy and less refined in this issue than the previous arc. The incident with Gambit and the attack that drew the X-men into the lair of zombies was confusing and underdeveloped. The whole sewer investigation seems too subtle for the sake of being subtle. I get that it's dark and dingy in a sewer, but some extra details would have gone a long way.

In the end I'm left satisfied and relieved by X-men #7. It's like being constipated for a few weeks and then finally getting cleansed after eating a really good taco. This comic is that taco and it sets up a solid foundation for what could be a very exciting arc. I'm glad X-men is getting back to basics and no longer seeking to capture the tween crowd. For my final score, I give X-men #7 a 4 out of 5. This series still has a ways to go to match the quality of Legacy, Uncanny, or X-Force. At least it's starting to claw it's way back. Nuff said!