Thursday, April 10, 2014

Worlds Apart - Superman Meets Jean Grey In A Special (Sexy) Way


In addition to writing X-men Supreme, novels like Skin Deep, and reviewing comics, I actually do find time for other little side-projects. I honestly don't know where I find the time either, but some ideas are just too much to keep inside. Ever since DC's New 52 relaunch, I've contemplated a possible Marvel/DC crossover. I know I'm not alone either. There was a time when Marvel and DC actually did share their awesome and create epic crossover events. Lawyers have long since put the kibosh on that, but this hasn't stopped fan fiction writers from carrying on the legacy. Some are even pretty damn awesome. A very good friend of mine named The Writer With No Name has written some pretty epic stuff with his Last Son saga. He set the bar so damn high that I honestly don't see how I could ever match it, but that won't stop me from trying.

So I came up with this little idea to just test the waters of a Marvel/DC crossover. It's nothing too epic. It's basically just me trying a little something different to see if it has the potential to be awesome. It involves two awesome characters, Superman and Jean Grey, and brings them together in a very special (and sexy) way. It's just a simple one-shot. But if enough people like it, I'll try to turn it into something more awesome. Enjoy!

Amazon To Acquire ComiXology - NOT An April Fool's Joke


I admit I don't know much about economics and business. The most experience I ever had with business was selling my ex-girlfriend's birth control pills to Catholic school girls. But even I know when something qualifies as big business news. I damn near shit myself when I heard Disney was buying Marvel. I didn't think that shit could ever be topped. And to date it still hasn't. But a late breaking story came pretty damn close. This is NOT an April Fool's Day joke, people. Comixology is being bought by Amazon.com.



I don't think any comic book fan needs to explain why they love Comixology. This is to comics what what the iPod was to music. It finally created a viable digital platform for comics and after taking way too fucking long, all the major publishers began releasing day-and-date digital comics. For me, it was like building my own comic book store in my bedroom next to my TV and my weed stash. It was a beautiful thing. It still gives me a boner whenever I remind myself that I can now buy a comic while walking around in my underwear and not worry about being arrested. But now, it's going to be yet another bitch in Amazon's growing harem of services. That's not necessarily a bad thing. Amazon.com is pretty fucking awesome too. They also allow me to buy shit in my underwear without having to worry about getting arrested. But now Amazon and Comixology are joining forces? What sort of corporate shit storm could they create? Will it be awesome? Will this be the next New Coke? I have no fucking clue. But it's happening. The CEO of Comixology already released this.


Dearest readers,

I’m very excited to share some big news with you: we have just announced that comiXology is becoming a part of the Amazon family!

More than seven years ago, John D. Roberts, Peter Jaffe, and I set out to connect people to comic books and graphic novels they’d love, and we’re so excited about how far we’ve come. Thanks to the books we are privileged to present and the platform we created, there’s access to more diverse content than ever, allowing all readers to enter the amazing world of comics.

We have long had the goal of making every person on the planet a comics fan. With Amazon’s help, this crazy goal is more possible than ever before. With the Kindle, Amazon has shown a passion for reinventing the reading experience, just like comiXology has shown for comics and graphic novels.

ComiXology will retain its identity as an Amazon subsidiary and we’re not anywhere near done “taking comics further.” We are confident that – with Amazon by our side, who shares our desire for innovation and a relentless focus on customers – we’ve only just begun.

We wouldn’t be here without you, our customers. Thank you. The best is yet to come!

David Steinberger
Co-founder and CEO

Wolverine and the X-men #3 PREVIEW - Don't Piss Off Storm

There are a certain handful of people I would never piss off in any circumstances. Dick Cheney, my urologist, and my parole officer are very high on that list. But if I lived in the Marvel universe, that list would have to be a lot longer. Even at my most drunk, I would never willingly piss off the likes of Thor, Wolverine, and Emma Frost. Contrary to what I claim about my intoxication skills, I do have limits. But there’s one character in particular that I would put above even those three and her name is Ororo Munroe.

There’s a damn good reason why Storm is one of the most popular X-men of all time and the most beloved. She’s not just caring and compassionate on a level that even the Dali Lama would find impressive. She’s tougher than an entire squad of Navy SEALS and she’ll take on gods, monsters, and cosmic forces without a microsecond of hesitation. That and she can direct a hundred bolts of lightning into an area smaller than Rick Santorum’s asshole, but I consider her power only secondary to her badassery. She has to be badass on a pretty obscene level to be sleeping with Wolverine and working as headmistress in a school of teenage mutants. And that job just got way fucking harder in the pages of Jason Lator’s Wolverine and the X-men.

For reasons that still aren’t fully explained, Wolverine let the rest of the Jean Grey Institute staff take a little vacation. That alone gave Storm enough reasons to get a Xanax prescription and bar Wolverine from ever seeing her naked again. Then the Phoenix Corporation had to come along, push the ever volatile “Jean Grey” button, and abduct Kid Omega. Storm and Wolverine, who are particularly prone to maiming anyone who dares push the “Jean Grey” button, go after them to save Kid Omega. They arrive only to get mind-fucked by a guy who looks like a cross between Shaq and a sumo wrestler. He also happens to be a powerful telepath and in a preview released by Newsarama, he goes about demonstrating that power against Storm. He might have been safer doing a sobriety test while walking a tight-rope over an active volcano.


WOLVERINE & THE X-MEN #3
JASON LATOUR (W) • MAHMUD ASRAR (A/C)
Artist Variant by Jorge Molina
WHO IS THE PHOENIX CORPORATION?

• The question of the year continues - - with another one: what do they want with Quentin Quire?

• Latour and Asrar bring you a breaking point in the lives of Logan and Ororo Munro!

32 PGS./Rated T+ …$3.99


I hope I don’t need to explain to anyone why Mr. Sumo Telepath is totally fucked. The preview shows nicely that Storm is capable of great compassion and understanding. But piss her off, and she will show no mercy. This issue is being billed as Storm and Wolverine reaching their breaking point. Well it’s already well documented how pissed off Wolverine gets when he reaches his breaking point. But he only has claws and metal bones to work with. Storm has made Mother Nature her bitch and she’s not afraid to unleash her. That’s why she’s the last person anyone should piss off in the Marvel universe.

Beyond Storm losing her temper, this new status quo for the Jean Grey Institute is still in need of refinement. There are still a lot of uncertainties surrounding Storm’s relationship with Wolverine. We’ve seen in Wolverine’s new solo series that he’s rubbing shoulders with another team and another woman. Does this shit happen before, after, or during this story? It’s hard to tell and badly in need of clarification. I can’t stand comics that require too much sobriety and I would rather this one not become one of them. I’ll be content for just a few concise comments on the issue while the rest is dedicated to Storm unleashing super typhoon of kick-ass. Nuff said!

Scanned Thoughts: Nightcrawler #1


With so many characters dying and coming back from the dead in comics, I often wonder how they deal with it. I imagine it happens often enough for there to be a full-fledged support group. Maybe it even inspired a few self-help books with titles like, “Answering Annoying Questions About Death,” and, “Holy Shit! Netflix Has Every Episode of Star Trek?!” But for some characters, they’re just better equipped. And for the X-men, I would put Nightcrawler right below Jean Grey in terms of his ability to deal with returning from the dead. He’s lovable, he’s humble, and he’s awesome in ways that were nicely demonstrated in the pages of Amazing X-men #5. Now the living legend himself, Chris Claremont, has returned to the X-books to chronicle Kurt Wagner’s adjustment to this new world of X-men in Nightcrawler #1. I still imagine he’ll be more impressed with Netflix and the iPhone 5S than he is that Cyclops is a fugitive and Wolverine named a school after Jean Grey.

He must have gotten over the shock pretty quickly because he’s already back in the swing of things. And for him, that means training with Wolverine in the Danger Room. He has no time to be deadpanned about time-displaced X-men, Cyclops being a wanted fugitive, and a new generation of mutants emerging all over the world. I imagine one of the perks of being dead is not having to work out as much. It must have been nice being able to eat a mountain of bacon and not gain an ounce. Now he has to stay in shape, but he hasn’t lost his touch.

What has been lost, however, is Wolverine’s healing factor. This is something Nightcrawler even acknowledges in his string of Claremont-style monologues. I know Claremont-haters don’t like how he tends to overuse them, but I say fuck those people because they work beautifully here. They nicely detail Nightcrawler’s thoughts as he’s fighting Wolverine, noting how he still is as skilled as ever, but now is vulnerable in a way he’s never seen him. It’s just one of the many changes he’s going to have to get used to. I still imagine he’ll have a harder time getting used to the idea of Peyton Manning being a Denver Bronco.


One thing that hasn’t changed, however, is Wolverine’s knack for losing his temper in the middle of a fight. Even without his healing, he’s still prone to getting more pissed off than a nun in a dildo factory. And as Nightcrawler shows that death hasn’t degraded his skills in any way, Wolverine gets a rage boner and pops his claws. He doesn’t get too stab-happy with Nightcrawler though. Storm steps in and unleashes a miniature typhoon to get Wolverine to calm the fuck down. She probably implicitly added that if he ever wants to see her naked again, he’ll ditch the claws and do some yoga.

Beyond the unnecessary reminder that Wolverine has poor anger management skills, this outburst also reveals to Nightcrawler the extent to which Wolverine has lost his healing. He mentions how he’s not used to seeing Wolverine bleed. It seems mundane, but in many ways it symbolizes just how much things have changed since he died. It leads to a nice moment between Nightcrawler and Storm about having an anchor to keep their shit together. For me, it’s booze and comics. For Wolverine, it used to be his healing. For Nightcrawler, just being alive should be enough to keep himself grounded. But given how often people come back to life in the Marvel universe, that shit is going to wear off faster than a buzz a Mormon convention.


The Danger Room is still familiar territory for Nightcrawler. He’s not going to see anything there that he hasn’t seen since days when Jean was still alive and Beast wasn’t a massive douche-bag. The Jean Grey Institute is a big place and not just because it has a front yard that’s alive. It’s very different from the Xavier Institute he remembers. Plus, the Xavier Institute was still a smoldering pile of rubble when he was last alive so this is quite a change. But he still embraces this change in ways that would disgust most republicans. He muses about how much the team has grown, how many friends they have lost, and far the X-men have come. It’s a sentiment that is nicely conveyed in the Claremont-style monologues. Again, there will be those that find them annoying. I imagine these are the same people whose ideas of a buzz is an extra cup of coffee so I won’t take their sentiment seriously.


Beyond the musings, this new institute is still a school just like the last one. And unlike the world he died in, this new world has a growing population of mutants. That means when the bell rings, the halls become crowded by a sea of mutant teenagers. It’s like a war zone, but not quite as dangerous. It makes for some nice moments where some of the students welcome Nightcrawler back to the land of the living, showing once again just how lovable this guy is. Cyclops should take notes from him. He sure as hell needs it.

But while he hangs out on the ceiling and waits for the chaos to pass, he gets a psychic visit from Rachel Grey that later turns into a non-psychic visit in Nightcrawler’s new loft. Since they didn’t get a chance to interact much in Amazing X-men, it’s nice for the former Excalibur teammates to catch up. It also gives them a chance to mention Kitty Pryde and Cyclops’s new school. They don’t touch on it that much. Nightcrawler just got done fighting Wolverine and navigating halls filled with teenage mutants. He doesn’t need to deal with that shit just yet. But it’s nice to see it acknowledged because it is one of those things that’s tempting to gloss over like the hidden fees in a cell phone contract. It doesn’t get addressed in this issue and that’s fine. Nightcrawler has more pressing issues to attend to.


What could be more important than confronting a fugitive Cyclops and a defector Kitty Pryde? How about a pretty blond with a nice rack named Amanda Sefton? I’m pretty sure Hugh Hefner and Nightcrawler would agree. Pretty blonds take priority over everything. Nightcrawler takes a quick trip with a bunch of his bamfs to Manhattan where he drops in on his long-time yet rarely mentioned girlfriend. And it’s not like Cast Away where she has run off, settled for someone barely half as awesome as him, and punched out his kid. She’s still single and doesn’t hesitate to give him a big, “Welcome back to the world of the living you handsome devil!” kiss. It’s another nice moment that could have easily been made into a shitty moment. But like catholic priest at a little league game, Chris Claremont resists the temptation.


It’s a beautiful moment that could have easily turned into a, “Let’s celebrate your new lease on life by having the kind of sex that make the Pope shit himself,” type moment. But even Chris Claremont can only resist so much temptation. Nightcrawler’s first issue back just wouldn’t be complete if he wasn’t attacked by some killer robot or raging monster. To omit that from a new series about character that has been MIA for so long would be the kind of blasphemy that gets people executed in Saudi Arabia. So Nightcrawler and Amanda’s romantic and pre-pornographic moment is interrupted when some random Iron Man rip-off blasts through the wall in start’s shooting. It’s a real mood-killer, but one I imagine Nightcrawler hasn’t forgotten. And it wasn’t like Amanda didn’t have a target on her back when Nightcrawler was still alive so if nothing else, it shows that at least some things haven’t changed.


The battle that follows is pretty generic, but it’s nicely fleshed out. The art is flashy and it’s well-organized. Nightcrawler goes through his typical tactics, teleporting Amanda away from the danger before returning with the bamfs to take on this mini-Sentinel. He doesn’t have any claws, guns, or major weapons. A man doesn’t exactly bring that sort of shit on a visit to his girlfriend unless there are divorce papers involved or unless she’s into some ridiculously kinky shit. But like the Danger Room scene with Wolverine, Nightcrawler shows that he hasn’t lost his touch. Now this is one instance where even I’ll concede that Claremont’s love of monologue boxes does get a little excessive. But it still works in adding something extra to the scene. It’s not all that epic. It’s just a simple, well-designed fight between Nightcrawler and something he can blow up.


As the battle unfolds, Nightcralwer is overmatched and outgunned for most of it. But like Jack Bauer in a room full of terrorists, the odds are better than they seem. He also has help from the bamfs, which basically act like his own personal pokemon clones. They don’t bring much to the table, but they do help Nightcrawler gain the upper hand. After doing a bit of rope-a-dope for a while, he manages to frustrate and eventually outsmart Mr. I-Love-Cockblocking-Guys-Reuniting-With-Their-Girlfriends. Nightcrawler doesn’t do anything fancy. He just buries the guy under a pile of rubble. He probably could have done it drunk, but I guess he was saving the drunken escapades for Amanda.

Now I’m all for watching Nightcrawler kick ass. The man has been dead for seven years and I’ve missed this almost as much as I’ve missed Arrested Development, Christian Bale as Batman, and Terminator movies that don’t suck. But it would have been nice to see a villain that doesn’t look like he was copied from an old Mega Man game. Between Azazel being stuck on Earth and Mystique still running around, there are plenty of villains that would love to cock-block Nightcrawler from his reunion sex with Amanda Sefton. This character just has no appeal. Maybe that appeal will come in future issues, but for now he’s more forgettable than Jim Carey’s last three movies.


After Nightcrawler makes quick work of the overly generic threat, Amanda shows up. She even found time to change into her sexy Daytripper uniform. She’s as confused as I am about who this asshole is and why she would choose to attack at a time when their tongues were getting reacquainted. But she seems to suspect this is something that targeted her specifically so it’s something she wants to handle without calling in the rest of the X-men. Being a gentleman and all the more deserving of the keys to her panties, Nightcrawler offers to assist her as she looks into this. They then disappear for a visit to Amanda’s mother, Margali Sefton. As if the wannabe Mega Man villain wasn’t a big enough cock-block. Now Nightcrawler has to both hunt down this villain, who mysteriously disappears, and confront his girlfriend’s mother. Nightcrawler probably doesn’t wish he was dead again yet, but at the rate he’s going he’s well on his way.


Well we didn’t get to see Nightcrawler’s reaction to Netflix or the new iPhone. But a good chunk of this first issue was fittingly dedicated to seeing him and the rest of the X-men react to his return. It wasn’t glossed over. It wasn’t half-assed either. There was genuine, honest emotion for Nightcrawler and his friends. It gave this issue a more personal touch. Given all the history that Chris Claremont gave Nightcrawler during his legendary tenure on the X-men comics, that’s more than fitting. We didn’t see reactions from everybody, but that wasn’t necessary. Between Storm, Rachel, and Amanada Sefton, all the appropriate emotions were conveyed. The villain was still generic as hell, cut and pasted from a shelved Michel Bay movie. But it kick-started a new adventure for Nightcrawler while showing his girlfriend that death hasn’t affected his ability to kick ass. Nightcrawler made his triumphant return in Amazing X-men. In Nightcrawler #1, his new life officially begins and it’s pretty damn awesome so far. I give this comic a 9 out of 10. Killing off characters in comics is so sad and wasteful. Bringing them back doesn’t have to be a hassle. It can be fun, entertaining, and meaningful. If anything, this issue gives Marvel even fewer excuses for keeping Jean Grey dead all those years. Nuff said!

Wednesday, April 9, 2014

Scanned Thoughts: All New X-men #25


Whenever Marvel announces that a particular comic is a serious, jaw-dropping, ball-busting, game-changer I usually approach it the same way I approach an AA meeting I’m forced to attend. I just smile and nod, going along with it while secretly planning where I’ll get drunk later that night. Now every now and then, Marvel and DC are able to deliver on their blatant dick-waving. But more often than not, it comes off as a weight-loss fad pushed on late-night infomercials. All New X-men already went through a pretty ball-busting game-changer with The Trial of Jean Grey. Not only did O5 Jean manage to escape the Shi’ar’s brand of Minority Report style justice, but she came out of it with upgraded powers. She has already wielded more premature power than Kim Jong Un since All New X-men began. It was only a matter of time before it started biting Father Time in the ass. And this is what’s supposed to be so ball-busting about All New X-men #25. It’s big. It’s triple sized. And it has more artists than Eminem’s entourage. I’m all for squeezing more awesome into more pages, but even the art of Pablo Picasso can’t make a shitty comic not suck. So my focus for All New X-men #25 will come down to two simple questions: Is it awesome or does it require weed of a certain potency to enjoy? I await the answers with a semi-sober mind.

The setup is full of Twilight-level creepiness. Beast is sound wide awake in his bed. Insomnia is clearly kicking his ass and why shouldn’t it? A guy who fucked up the space time continuum shouldn’t be getting a good night’s sleep. But that’s not enough for a guy who has attained this level of douche-baggery. He gets an unexpected shadowy visitor. But unlike Edward Cullen, he’s not there to admire his beauty and fondle his hair in ways that would make anyone else a sex offender. He’s there to bust Beast’s balls and let him know that he has no idea how badly he fucked things up with his time-traveling bullshit. Beast tries to defend his actions, but he might as well be Forest Gump debating black holes with Albert Einstein. And he’s not just going to use fancy words to bust Beast’s balls either. He’s going to actually show him how wrong he is.


This is where the format of the issue takes on an entirely new appearance. It’s not just Beast lying in bed being told he’s a hypocrite and a douche-bag. He’s shown visions of various realities throughout the damaged space-time continuum. And this is what requires all those guests artists to contribute to this issue. All New X-men #25 wasn’t just marketed as being a double cheeseburger of an issue. It boasted an impressive cast of artists that included Bruce Timm, Art Adams, Scottie Young, J. Scott Campbell, and a whole bunch of others that I’m too drunk to list right now.

The first vision involves the first woman Beast ever wanted to get naked with. He’s shown a vision of Jean Grey that is so disturbing that even he can’t jerk off to it. He sees that in a timeline without Charles Xavier and the X-men to keep her tethered to her humanity, she eventually becomes corrupted by her power. We already saw that happen with Xorna in X-men: Battle of the Atom. Well it can actually get worse than that. More importantly, it gives a more complete reason as to why Jean lost her fucking mind in Battle of the Atom. This is what happens when she doesn’t have her friends and her mentor to keep her tethered to humanity. It’s consistent with her history of becoming corrupted. This just shows it doesn’t need to happen because of the Phoenix Force. It’s disturbing, but it gets the point across and adds some badly needed context to Jean Grey’s struggles.


Next, we get a vision of what happens to Cyclops. This might actually be a vision Beast doesn’t mind because it involves Cyclops being burned at the stake in a way that would give Puritans a raging boner. But it has some pretty fucked up implications that would likely kill his boner. It shows Cyclops’s mutant revolution failing miserably. And his punishment isn’t being locked in a room with Maria Hill, a baseball bat, and a bucket of crystal meth. It’s fucking crucifixion. Even if Beast despises Cyclops for what he has done, he has to be more than a little disturbed that humanity grows to hate mutants so much that they think crucifixion is an appropriate means of dealing with them. It may be more Christian, but it kills that whole promise of peace and understanding in a way that would make Jesus cry.


Iceman’s fate isn’t quite as gruesome, but still plenty disturbing. In a future without the X-men he’s not the lovable Run DMC fan that everyone has come to appreciate. Like Jean, his powers grow and he’s got nobody to help him control it. Since Iceman was never all that big on self-control, that leads to him creating armies of Ice-Hulks, Ice-Goblins, and Ice-monsters. He pretty much creates anything he ever saw in a World of Warcraft villain out of ice and he can’t control it. Again, this is something we saw in X-men: Battle of the Atom. That was one of the many gaping plot holes that wasn’t addressed. This one doesn’t fill in every detail, but like Jean it does provide a context. It’s late as hell, but so long as it doesn’t involve my girlfriend’s period I’m okay with things being late.


But there’s no extra context needed for Angel’s future. The extent to which he loses his shit and becomes and evil Apocalypse wannabe was already well-documented in the pages of Uncanny X-Force. Well in the future, that shit comes back to haunt him yet again. He’s already lost his memories and carries himself like a brain damaged man-child who thinks he’s an Everquest cos-player. It shouldn’t surprise anyone, especially Beast, that he gets sick of that shit and reconnects with his inner Apocalypse cos-player. It doesn’t end well for him, his friends, or the X-men. It acts as a nice reminder that Arcangel isn’t completely gone and still has the potential to stir up some shit. That excites me as much as it terrifies Beast.


It isn’t just the O5 X-men that get fucked by the future either. Beast also gets a glimpse of how some of his other fellow X-men lose their shit. Colossus has already been in a pretty unhealthy cycle for a while now and coming from a drunk, that’s saying something. Not only did his sister screw him over and stick him with Juggernaut powers. But he ended up as one of the Phoenix Five, which made him a fugitive and cost him his keys to Kitty Pryde’s panties forever. Now he’s drowning his sorrow in Domino’s panties. I suppose there are far worse ways he could cope, but Domino’s panties might not be as healthy because he ends up becoming jaded soldier in a war-torn world. Sure, he looks badass. It even makes perfect sense in the context of what has been happening to him since Avengers vs. X-men. But it’s still a shitty future.


Emma Frost’s future isn’t quite as badass. She’s still sexy as hell, but her future isn’t. In this future she probably wishes her powers were broken because she also loses control of her powers. I’m starting to see a trend here and it’s usually pretty hard to pick up on trends after a couple joints and a bottle of jack. But it’s consistent with the theme of there being no Charles Xavier, no X-men, and no vision to keep mutants like Emma Frost tied to their humanity. So that means that even someone as tough and sexy as Emma Frost just lose their shit. Even the former White Queen of the Hellfire Club can only take so much of peoples’ inner-most thoughts. Hearing how the men want to bury their face in her breasts and lick jello off her ass probably gets old after a while. Hearing too much of that shit would drive any woman crazy and kill her love of jello real fast.


Then there’s the archbishop of douche himself, Hank McCoy. After seeing how his friends lose their shit in the future, he really shouldn’t be too surprised to find out that he loses it too. At least he doesn’t end up getting burned at the stake, turning into Xorn 3.0, or going crazy from reading everybody’s sick thoughts about what they want to do with his boobs. All that brilliant intellect that he goes to such lengths to saving basically says, “Fuck this, I’m outta here!” That only leaves a snarling, pissed of Beast that’s unfit for a zoo or an animated Disney character. So while his friends and loved ones get fucked over more directly by the future, he gets to hang out in the Savage Land and gorge on dinosaur meat. Plus, he gets to shit wherever he wants and hump anything without being arrested. Hell, for him this isn’t even the top 10 worst futures he could have. It would be worse if he ended up being Paris Hilton’s pet for all eternity.

All these distinct futures and the different art styles depicting them have a pretty consistent theme that the shadowy figure is trying to hammer into Beast’s douche-laden skull. By fucking with the X-men and taking them away from Charles Xavier’s mentorship, he detaches them from their humanity and their ability to control their powers. This is a pretty big fucking deal because while Xavier may have become a douche in his own right in recent years, he did a damn good job teaching the X-men the value of clinging to their humanity. Both Battle of the Atom and The Trial of Jean Grey showed what happened when they’re pushed to their breaking point. They lose their shit and they lose sight of what it means to be X-men. That doesn’t just show that Beast fucked up the future. It showed he undermined the very foundation of what it means to be X-men.


These vivid visions certainly make Beast sicker than a Red Sox fan at Derek Jeter’s house. And yet he still tries to justify his bullshit. He claims that he did what he did because he believed in his selfish heart of hearts that this would create a better future. Sure, he was dying and he had a rage-boner for all things Cyclops, but on some levels he had to believe that. That doesn’t make what he did any less a dick move, but he still tries to use this as an excuse. He even demands that the shadowy figure show him these futures, if only to make his asshole hurt just a little bit less. I still find it frustratingly infuriating that Beast keeps making these bullshit excuses, but I can’t say I’m surprised. Short of a future that involves kissing Cyclops’s scrotum, I never expected him to show any remorse.


But there are still good futures to look forward to. As crazy as it sounds, not every future is apocalyptic. Let me say that again on the off-chance anyone involved in comics is reading this. Not EVERY future needs to be apocalyptic. The real world itself is apocalyptic enough with Fox News, North Korea, and the greedy assholes on Wall Street. We don’t need to see how it can get worse in the future. And the shadowy figure does make an effort to show that there are futures that don’t suck.

One involves humanity exchanging crucifixion for parades and celebrations. Yes, there is actually a future where the X-men are celebrated as heroes and the killer robots are actually on their side. It’s a beautiful thing, even though we don’t get to see too many details. But Jean Grey is alive, the Sentinel isn’t shooting at them, and the X-men are waving to the crowds with the charm of Jennifer Lawrence. It also has teammates like Kitty and Magik making amends. It has Storm, Nightcrawler, and Psylocke going into space as explorers. I almost wish we could get another double-sized issue to see more of this world where everything isn’t fucked. Since I’m getting older and more jaded, that kind of shit does have some appeal to me. I hope I’m not the only one.


Instead of a vision of this bold future, the flow of guest art becomes more incoherent and convoluted. The shadowy figure talks about how in this better future they find love. But then we get this fucked up spread of Kitty Pryde and Colossus going through the various relationship progressions in their past and potential future. It’s funny and cute, but does absolutely nothing for the story that’s being told here. If I want cute and funny, I’ll watch youtube videos of cats playing pianos. I don’t need to be reminded of all the fucked up complications that have occurred between Kitty Pryde and Colossus. I also don’t need to see a page dedicated to showing how Cyclops and Wolverine eventually become BFFs, but only when they’re old, senile, and constipated. It’s funny and cute, but it does jack shit for the story.


That’s not to say there aren’t some entertaining aspects to this twisted sequence of clip art. There’s actually a nice little comic strip featuring Jean and Wolverine from an artist who is known for doing these funny little strips on Tumblr. It’s fun and it’s cute, showing Jean Grey and Wolverine in a way that doesn’t involve unrequited love and creepy obsessions that involve naming schools after someone. But it really doesn’t contribute anything to the story. If this is a potentially better future for the X-men, I have no fucking clue as to how it fits into the bigger picture. And I don’t have to be sober to see that.


The rest of the spreads and sequences are less entertaining. They don’t depict any possible futures that make the shadowy figure’s point or fill in any plot holes. Some of these spreads look like ideas that could only work in fan fiction. Jean Grey, Emma Frost, and Rogue become agents of SHIELD? That shit isn’t ever happening in the comics, but if there’s someone out there with more time on their hands than me, please make some fan fiction out of that. Nightcrawler teaming up with Captain America? Hell, that doesn’t even need to be fan fiction. That could easily be an issue of A+X if Marvel hadn’t decided to cancel that book. These aren’t bad ideas. Hell, they would make decent minis. But they don’t do shit for this story or the point the shadowy figure is trying to make. They don’t work the same way the other spreads did in the shitty futures. It’s just glorified clip art and there are enough places to get that shit on the internet. It doesn’t need to be included in a $4.99 comic book. That’s like charging ten bucks see a youtube video and still having it being interrupted by bullshit video commercials.


In the end, all these non-Apocalyptic futures do make a point, even if the artwork does a piss-poor job of showing it. The shadowy figure informs Beast that because of the actions he has taken, these more pleasant futures cannot happen. He has already fucked himself and everyone he cares about into an apocalypse. That’s when he reveals his identity. This shadowy figure is none other than Uatu the Watcher. Who else could show him visions of these futures? And when Beast begs for help in unfucking the future, Uatu kindly reminds him that he’s the fucking Watcher. He’s not his temporal tech support guy. He then tells Beast that he disgusts him. And for all the disgusting shit the Watcher probably sees on a daily basis, most of which probably comes from Deadpool’s bathroom, that’s saying something. It puts a smile on my face to see that the Watcher and I agree that Beast is a massive douche. If he wasn’t bound by his oath to only watch, I would offer Uatu a joint and a bottle of Jack Daniels.


First off, I need to say that this comic gave me a big man-crush on the Watcher. And the timing couldn’t be worse since Marvel plans on killing him in their upcoming Original Sin. But he still lived long enough to give Hank McCoy’s ass some long overdue trolling so in that sense it’s safe to say he had a fulfilling life. That was really the main objective of this issue, berating Beast for ass-fucking the space-time continuum. Not only did he lie to a bunch of impressionable teenagers, but he failed to understand the consequences of his bullshit. Nobody has really called him out on this epic failure. It took the fucking Watcher to get the point across. And I think that’s right up there with passing out drunk in a gas station bathroom in terms of pathetic. But that point was somewhat obscured by the hodgepodge of clip-art that was splattered across page after page incoherent musings. There really was no plot beyond the Watcher trolling Beast. And since the Watcher has that bullshit oath of his, not much comes of it. Beast just feels a little more shitty. I suppose that counts as some progress, but it hardly justifies the extra dollar in price. That’s money I could have spent on booze and weed. I give All New X-men #25 a 5 out of 10. It filled in some plot holes and made Beast miserable. But beyond that, it was basically a glorified Tumblr feed. And it didn’t even have any porn. There’s just no excuse for that. Nuff said!