Showing posts with label Peter Parker. Show all posts
Showing posts with label Peter Parker. Show all posts
Friday, April 27, 2018
Sexy Side-Project: The Red Queen Chronicles: The Bargain is LIVE!
I know this past week has been all about Thanos and Avengers: Infinity War. By now, I'm sure everyone, their brother, and their third cousins, twice removed, are walking around thinking Thanos is the greatest villain since Lucifer himself. Now, I'm as enthralled by Thanos and the way Josh Brolin brought him to life as the next self-proclaimed comic fan. However, I still think he's not the top dog in the pantheon of Marvel villains.
That title belongs to Victor Von Doom. He is, and will continue to be, despite the best efforts of shitty Fantastic Four movies, the greatest villain in Marvel history. He is the alpha and omega of villains, both in terms of character depth and in terms of impact. It's for that reason that I'm so very excited to bring him into the world of The Red Queen Chronicles.
In terms of the big picture, things have been very good for Spider-Man and Mary Jane Watson in the world of the Red Queen. Ever since this sexy world came together in "Spider-Man and the Prostitute," they've had many reasons to be satisfied, both in and out of their clothes. The Hellfire Club is now under their control. They have allies in the X-men, the Avengers, and SHIELD. Things are better for them in this story than Marvel will ever allow in the comics.
However, there's still room for conflict. There's still room for big time villains, like Dr. Doom. In this sexy, giant-sized one-shot, both Spider-Man and Mary Jane Watson will be reminded why Dr. Doom can never be subverted, no matter what universe he's in. What he does and how he does it will shake things up a bit in the world of the Red Queen, albeit in the sexiest way possible. I'd love to offer more tantalizing hints, but I'd rather let this sexy story speak for itself.
This marks the first time I've brought Dr. Doom into a story, sexy or otherwise. Depending on the reaction I get from this and other stories, I'll consider adding him in with future stories. For now, I have plenty of other sexy plans in the works. I'll be announcing them in the coming weeks. Until then, may the power, will, and sex appeal of Doom tide you over. Nuff said!
Friday, April 6, 2018
Sexy Side-Project Announcement: The Red Queen Chronicles Face Doom!
When it comes to comic book characters with sex appeal, Victor Von Doom probably doesn't crack the top 10. That's not to say he completely lacks sex appeal. The man is the king of his own country, an undeniable genius, and owns his own castle, for crying out loud. If you don't think at some women wouldn't find that attractive, then you probably didn't see enough Disney movies as a kid. My point is that Dr. Doom, despite being the ultimate villain of the Marvel universe, can be sexy in his own unique way. That's exactly what I intend to channel with my next sexy side-project.
The world of "The Red Queen Chronicles" is set to continue. I've come to love this sexy new world with all these sexy possibilities that I've created. I've crafted and explored all sorts of seamy narratives. Some, like "The Promise" were sweet and romantic. Others, like "The Leader" were more playful. The story I have planned this time is going to be quite different. For a character like Dr. Doom, it has to be different.
Among the various comments I've gotten since I started "The Red Queen Chronicles," one of the most frequent suggestions I've received has to do with getting more villains involved. That's a major challenge, especially if I want to preserve the sexy spirit of this series. However, after getting this idea for Dr. Doom, I think I have a story that will strike a fitting balance.
Like my last couple of stories, it will be a one-shot story that features a different side of Dr. Doom, but one very much in line with his fondness for getting what he wants. It'll also add a new dimension to Mary Jane Watson's influence in this world and on Spider-Man's life. As the Red Queen, she has already exacted plenty of influence. Expect this story to expand on that influence, complete with Mary Jane's sex appeal.
I don't want to spoil too much since the story is not yet finished. At the moment, it is on track for release in three weeks. For now, though, I just want to announce that this story is coming and Doom is set to leave his mark on the world of "The Red Queen Chronicles." If you think you can handle his kind of sex appeal, then stay tuned. For those who have continued to support this series with comments and feedback, I sincerely thank you and hope this story adds to the ever-evolving sex appeal of the Red Queen.
Friday, February 2, 2018
Sexy Side-Project: The Red Queen Chronicles: The Promise is LIVE!
It took longer than I wanted. I ended up getting delayed a couple times, once because of having to move and another for just not having enough hours in the day. I know some have been eagerly waiting for it and I'm here to say the wait is finally over. My next sexy side-project is complete and I think the timing is better because it should get everyone in the mood for Valentine's Day.
While I'm not exactly fond of Valentine's Day, I understand it still has some pretty sexy implications. It's a time to celebrate romance, love, and the joys of making it. Some do a better job of it than most. Within the pages of my Red Queen series, I think it's safe to say that Spider-Man and Mary Jane definitely qualify.
They're one of Marvel's most iconic couples for a reason and it's not just because Mary Jane looks damn good in a thong, although that is a factor. No matter what Mephisto may say, their romance is special and I've tried to capture that in this series, despite tweaking some of the circumstances by making Mary Jane a former prostitute.
That doesn't make their love or their connection any less special. I've gone out of my way to highlight that through multiple entries in this series. Sure, some are just fun, sexy explorations into this far kinkier world, but the depth of the Spider-Man/Mary Jane romance remains important. That's exactly what this latest side-project will affirm.
Rest assured, there's still plenty of kink. There's still plenty hot, steamy material that should get everyone's blood flowing, even those who don't care for Valentine's Day. However, it's done in a way that I hope highlights the breadth of this iconic romance. Enjoy!
I hope this helps everyone enjoy Valentine's Day a little bit more this year. I still have plans for other stories, some of which are further along in development than others. I hope to announce more soon, but I promise there's still plenty more to come, literally and figuratively. Nuff said!
Friday, January 12, 2018
Sexy Side Project Update: Next Story To Be Released In THREE Weeks
I know it's been a while since I announced anything regarding a sexy side-project. Since "The Red Queen Chronicle: The Holidays," I haven't had much to update and there's a good reason for that. It's not just because things tend to get hectic around the holidays. I had the added complication of going through a very tedious move to a new place. It's only within the past week, or so, that I've gotten back to some semblance of normalcy.
As a result, my ability and opportunities to work on sexy side-projects suffered. I actually did have a story in mind that I hoped to post after New Years. I ended up falling behind significantly during my move. As a result, this latest project won't be ready for three weeks. Beyond the time and energy necessary to ensure that this story is up to the same sexy quality as those that came before it, I also had to work overtime just to ensure that X-men Supreme was updated on time.
Now, I hate delays as much as the next guy who'd hoped that Half-Life 3 would be out already. However, I make it a point to ensure that extra time goes to good use. I intend to take next several weeks to complete and refine this next sexy side-project to ensure it's worth waiting for. I won't continue hiding the details either.
This next side-project is actually one I thought about posting last month, but opted for a more holiday-themed story. It still takes place in the world of "The Red Queen." However, it takes a step back to revisit the original catalyst for this whole series that began way back with "Spider-Man and the Prostitute." More specifically, it's going to flesh out the evolving relationship between Spider-Man and Mary Jane in the overtly sexy way that many have come to expect from this series.
I feel as though this is necessary for the continued progression of the story. A lot of what has happened in the world of "The Red Queen" is because of how Spider-Man and Mary Jane have affected one another in this series. I've spent more time lately on developing some of the other corners of this sexy world, but I can't forget about those who helped create it.
The name of the story will be entitled "The Red Queen Chronicles: The Promise." If you're a Spider-Man/Mary Jane fan in any capacity, this is a story that should keep you warm for the rest of the winter. Even if you're not, it'll cater to others with more kinky tastes in sexy side-projects.
I don't want to give away too much more. I'll just say that this is a story I believe Spider-Man/Mary Jane fans will really appreciate while maximizing their sex appeal. I'll also make clear that I do have other side-projects in mind as well so there are more coming. Rather than risk turning that into a very dirty, albeit fitting joke, I'll just urge everyone to be patient with this latest sexy side-project.
Friday, September 29, 2017
The Red Queen Chronicles: The Prodigy Part 2 is LIVE!
It’s been another long, eventful week, especially if you’ve been following the recent announcements from Marvel. I feel like I’m adding an extra layer of frosting by capping off another one of my sexy side-projects. It may not be a major part of Marvel’s legacy, but it involves Mary Jane Watson getting naked so that gives it inherent awesome.
This marks the second and final part of “The Red Queen Chronicles: The Prodigy.” The first chapter explored the past of Laura “X-23” Kinney within the context of this sexy AU I’ve created. Those who followed X-23’s story in NYX years ago should be familiar with the seamy details and understand completely why I incorporated them into this story. In a world where Mary Jane Watson is a former prostitute and queen of the Hellfire Club, how can I not?
This final part will bring X-23’s story to the present and set her on a better, sexier path within this world I’ve created. While I can’t say for certain whether I’ll revisit that path at some point, I’ll still try to make it as sexy as it deserves to be. If I end up getting as much, if not more, feedback as I’ve gotten with other stories, I’ll certainly be tempted. For a series like this, I think that’s quite fitting.
As always, I urge everyone who reads these sexy side-projects to comment and provide feedback. If you have sexy suggestions, I’m always open to discuss them. It’s that kind of feedback that has helped me keep my Red Queen series going for as long as it has. As I type this, I have plans for a couple more stories, one of which is already in the works. I won’t reveal what it is, but it involves a couple of characters hooking up that you’ll likely never see hook up in the comics. I’ll leave your dirty imaginations to ponder that for the next few weeks.
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Friday, September 8, 2017
The Red Queen Chronicles: The Prodigy Part 1 is LIVE!
Summer is over, but I'm not done heating panties or triggering awkward boners in public places. That's right. I have another sexy side-project and even if you've put your bikini away, this should still make you feel hot all over for all the right reasons. You're welcome.
Once again, I've been amazed with the feedback I've gotten for my "Red Queen" series. It's hard to believe that this all started with just some twisted little story I did about Mary Jane being a prostitute in an AU that involved no deals with Mephisto. I never intended to expand that story as much as I have, but between the feedback I've gotten and all the new ideas it has inspired, I just keep building on it.
I like to think I've set a sexy foundation on which many sexy stories can be told. I've already told quite a few, some more elaborate than others. I've tried, for the most part, to give them some semblance of plot. I understand that's not the primary reason people read these sexy side-projects, but I think a little plot goes a long way towards adding to the sex appeal. This latest project is no exception.
With it, I'll actually be exploring some other aspects to this sexy AU I've created. Specifically, it digs a little deeper into Mary Jane's history as a prostitute. That history will lead her to meet up with a character whose prostitution history is actually canon in Laura "X-23" Kinney. She's always been a favorite of mine. As soon as I began expanding this series, I knew I would get to her sooner or later. It turned out to be sooner.
This story will be a two-part story. It'll explore the past and expand on the present in ways I hope will moisten panties and stain boxers. The first one is officially up. Given how quickly X-23's star has risen in recent years, I think the time is right for her to gain a little sex appeal.
As always, I strongly encourage everyone to provide feedback for this story. I've already gotten far more than I ever expected with this series. The more I get, the more incentive I have to keep growing this series. I hope this one continues that sexy tradition. Mary Jane may not need more sex appeal at this point, but a little more could never hurt. Nuff said!
Labels:
adult fanfiction,
fan fiction,
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Jonathan Caesar,
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Friday, August 18, 2017
Sexy Side Project: Red Queen Chronicles: The Surprise is LIVE!
If you thought I was done telling sexy stories in my “Red Queen” universe, then I’m NOT sorry to say you’re wrong. Every time I finish a story, it feels like I’ve exhausted the potential. It feels like I’ve extracted enough sexiness from this concept. Then, I remember I’m working with Mary Jane Watson and remember there’s no limit to the sexiness she can bring.
My last story, “The Red Queen Chronicles: The Alien,” was another fun little exercise in exploring Mary Jane’s sexiness. Her sex appeal is so powerful that she could do what Spider-Man could not and that’s subdue Venom. She didn’t need superpowers, science, or some boring shit like that. She just needed raw, unabashed sex appeal. Venom didn’t stand a chance.
Between that and the various other stories I’ve told in the Red Queen universe, I’ve developed quite a few loyal readers. Some come at me with all sorts of suggestions, many of which I couldn’t possible use, but enjoy contemplating. Even with all those ideas, I wasn’t sure whether there was one worth pursuing. Then, I came up with one that I felt I could complete to the high standards that Mary Jane has established.
This one, sadly, will only tap a fraction of Mary Jane’s sexiness. That’s because she won’t be the primary focus of this story. Instead, it’s Carol “Captain Marvel” Danvers who will get to flaunt her sex appeal. Her star has been rising fast in recent years. Between a greater role in the comics and an upcoming movie starring Brie Larson, she’s well on her way to becoming Marvel’s alpha female.
So why shouldn’t she get in on the action? That’s exactly what she’s going to do, with help from the Red Queen, of course. She might as well get laid while she can before she becomes too busy. If you’re okay with Mary Jane sharing some sexiness for the time being, I think you’ll appreciate this. Fans and members of the Carol Corp, I hope you enjoy it!
I know I seem to say this every other week, but I’m still not sure whether I’ll keep building on this series. I can’t help it that writing a sexy Mary Jane Watson is so much fun. I still have ideas I’m toying with. Nothing has been finalized yet, but if that chances, expect plenty more sexiness. Nuff said!
Friday, July 28, 2017
Sexy Side-Project Preview: The Red Queen Chronicles: The Surprise
I know this is usually when I announce the release of my new sexy side-project, complete with all the immature innuendo of every high school locker room in the western hemisphere. Make no mistake, I am still hard at work on those sexy side-projects. I have more than one in the works and I've every intention of completing them in as sexy a manner as possible. Sometimes, though, it's hard to pump them out regularly. Perhaps that wasn't a good choice of words, but you get the idea.
As I write this, I do have another sexy side-project in the works. It's yet another spin-off from my Red Queen Chronicles series. I feel as though the response I got from "The Red Queen Chronicles: The Alien," this sexy world is worth expanding and I'll continue to do so. I was hoping to be ready with the next entry today. Unfortunately, time just moves too damn fast.
I will announce, though, the contents of that story. It involves a pairing I feel is extremely underrated in Spider-Man and Carol Danvers. Granted, the love of Spider-Man and Mary Jane will always be iconic, no matter what the Mephistos of the world say, but there's something uniquely appealing about these two. They did have a few dates in the comics, but as far as I can tell, they've never seen each other naked. That's going to change with the Red Queen Chronicles.
That's why I'm proud to announce that the next story in this series will be called "The Red Queen Chronicles: The Surprise." In it, Captain Marvel enjoys a very special birthday celebration that Spider-Man makes even more special in exactly the way you're thinking.
Again, I'd hoped to complete the story by now. However, it ended up being longer than I expected and I was unable to finish it. I also ended up revising parts of it to ensure sufficient sexiness. So for now, the best I can do is this sexy preview.
‘Oh my God! Am I actually horny for Spider-Man? Of all the attractive men I work with – including freakin’ gods, for crying out loud – is Spider-Man the one that gets me wet? Or has it just been too damn long since I’ve been laid?’
She felt another shiver course down her spine, but for a very different reason. That feeling soon found its way to her lower body, triggering an arousal she hadn’t let herself feel in a long time. Captain Marvel would’ve found a way to repress it. However, Captain Marvel was taking a breather. For the rest of the night, Carol Danvers would take over.
“Tell me something, Spider-Man…are there any other reasons Mary Jane is so fond of you?” she asked, now with a hint of seduction in her tone.
“Um…you’ll have to ask her,” said Spider-Man with an awkwardness befitting of his immaturity.
“Actually, I’d rather find out for myself,” she told him. “Everyone else tonight has been letting go, loosening up, and doing something crazy. Maybe it’s time I do the same.”
To prove how serious she was, she scooted in closer and draped her legs over his lap. She also let go of his hand and caress the shrouded outline of his face, feeling through the mask to reach the man inside…a man she now found herself wanting.
‘Fuck it. It’s my birthday. I’m getting some tonight. If Spider-Man’s the one who’s gonna give to me…so be it.’
I know it's not much, but I hope it tides everyone over until the story is complete. While X-men Supreme still has priority, rest assured this story will be complete. When it's ready, I will post it. I hope it's worth the wait. Until then, take care and let this sexy image of Carol Danvers tantalize your dreams in the meantime.
Friday, December 16, 2016
The New Red Queen Chapter 5: Crowning Achievement is LIVE!
We’re almost there! I’ve been building it up. I’ve been exceedingly thorough with the foreplay. Now, it’s time for the final climax, the grand finale, and whatever other sexy metaphor your inner 13-year-old comes up with. The culmination of yet another sexy side project is finally here. After this, I imagine everyone is going to need a cold shower, a bag of ice, and an economics lecture by Ben Stein to cool down.
I’ve had a lot of fun telling this story, “The New Red Queen.” There’s just something about a sexy side-project involving Mary Jane Watson that’s inherently awesome. She’s a great character who also happens to be sexy as hell. I built a new persona in “Spider-Man and the Prostitute” and I expanded that persona here in “The New Red Queen.” I like to think I’ve laid the foundation for more sexiness down the line. For now, though, I’m content to cap it off in the most satisfying way possible.
The stage is already set. Peter Parker has both Mary Jane Watson and Emma Frost ready, eager, and horny as hell to celebrate this new phase for each of them. Mary Jane Watson is now poised to become the new Red Queen of the Hellfire Club. Now, she’ll have a chance to channel her sexiness through a powerful organization fueled by it. I couldn’t think of a better job for Mary Jane that didn’t involve push-up bras.
What will this mean for her? What will this mean for Spider-Man? What will it mean for Emma Frost in the Hellfire Club? That’s all about to come together, both literally and figuratively. Yes, that’s as immature as it sounds, but it’s also entirely appropriate for a story like this. It involves Mary Jane Watson maximizing her sex appeal with Emma Frost doing her part as well. How can it be anything else besides sexy as hell?
This is the last chapter in this particular story. For now, it’s the capstone on the story I began with “Spider-Man and the Prostitute.” However, the overwhelmingly positive response I’ve gotten for this story has given me more than a few ideas. I haven’t finalized those ideas, but I’m definitely interested in pursuing them. Do you want to see more from this series? Do you want to see more of an overtly sexy Mary Jane Watson as she runs the Hellfire Club? Maybe that’s a loaded question.
Whatever your sentiment, please let me know. Please take the time to review and send feedback. I’m always happy to hear from readers. This is a series that can definitely expand. Want to see Mary Jane Watson service other superheroes? Let me know! Share some ideas! The world can always use more of Mary Jane Watson’s sexiness. This story is just part of my contribution. Enjoy!
Friday, November 25, 2016
The New Red Queen Chapter 4: Jackpots and Dreams is LIVE!
There was once a time when I really rooted for Peter Parker. That has always been part of his appeal. He was crafted as one of those guys you just want to see succeed. He’s always an underdog, getting screwed over at every turn, but still finding a way to fight through. I certainly embraced that appeal. I certainly rooted for him for many years in the comics, cartoons, and movies.
In many respects, this helped make his relationship with Mary Jane Watson so meaningful. After all his struggles and shitty luck, he manages to fall in love with a sexy, charismatic supermodel. It isn’t just that he deserves her. He fucking earned this woman’s love and she fights tooth and nail to cherish it. That’s what made their relationship so strong and endearing. That’s why it ranked as one of my favorite comic book romances for many years.
Sadly, we all know how this iconic relationship ended. We also know how Spider-Man’s story played out after. I could spend a dozen or so blog posts ranting about all the reasons why Peter Parker is total fucking asshat now, but I’ll save that for another time. The point is that it’s just too damn hard to root for Peter Parker. The man now just feels like a glorified man-child who screws himself over so the universe doesn’t have to. That’s not someone you root for. That’s someone you pity.
I still haven’t forgotten about that version of Peter Parker that I so eagerly rooted for. With the recent release of Spider-Man: Renew Your Vows, I’ve gotten a powerful reminder of just how lovable someone like Peter can be. As such, I’m doing my best to capture that lovability in The New Red Queen, all while making Mary Jane Watson sexy as hell. Then again, it’s not like you need to try too hard to make Mary Jane that sexy.
This story continues to exceed my expectation in terms of feedback. I’m still amazed at just how many people enjoy reading about an overtly sexy Mary Jane, but then again maybe I shouldn’t. The past few chapters have given Mary Jane some opportunities to flaunt her sex appeal, as only she can. The final chapters will give Peter Parker a chance to participate. Also, expect Emma Frost to contribute as well. That’s a lot of sex appeal in one story, but there can never be too much in a story with Mary Jane Watson. This next chapter should make that abundantly clear.
This latest sexy side-project of mine is almost complete. Again, I’m really amazed and honored that it’s gotten such a great response. I really do appreciate it. I’m certainly open to crafting another spin-off, but I want to first make sure that this story ends in as awesome and sexy a way possible. As always, please take the time to write me or comment. I’m certainly happy to chat, especially about the sexiness of Mary Jane Watson and Emma Frost. Nuff said!
In many respects, this helped make his relationship with Mary Jane Watson so meaningful. After all his struggles and shitty luck, he manages to fall in love with a sexy, charismatic supermodel. It isn’t just that he deserves her. He fucking earned this woman’s love and she fights tooth and nail to cherish it. That’s what made their relationship so strong and endearing. That’s why it ranked as one of my favorite comic book romances for many years.
Sadly, we all know how this iconic relationship ended. We also know how Spider-Man’s story played out after. I could spend a dozen or so blog posts ranting about all the reasons why Peter Parker is total fucking asshat now, but I’ll save that for another time. The point is that it’s just too damn hard to root for Peter Parker. The man now just feels like a glorified man-child who screws himself over so the universe doesn’t have to. That’s not someone you root for. That’s someone you pity.
I still haven’t forgotten about that version of Peter Parker that I so eagerly rooted for. With the recent release of Spider-Man: Renew Your Vows, I’ve gotten a powerful reminder of just how lovable someone like Peter can be. As such, I’m doing my best to capture that lovability in The New Red Queen, all while making Mary Jane Watson sexy as hell. Then again, it’s not like you need to try too hard to make Mary Jane that sexy.
This story continues to exceed my expectation in terms of feedback. I’m still amazed at just how many people enjoy reading about an overtly sexy Mary Jane, but then again maybe I shouldn’t. The past few chapters have given Mary Jane some opportunities to flaunt her sex appeal, as only she can. The final chapters will give Peter Parker a chance to participate. Also, expect Emma Frost to contribute as well. That’s a lot of sex appeal in one story, but there can never be too much in a story with Mary Jane Watson. This next chapter should make that abundantly clear.
This latest sexy side-project of mine is almost complete. Again, I’m really amazed and honored that it’s gotten such a great response. I really do appreciate it. I’m certainly open to crafting another spin-off, but I want to first make sure that this story ends in as awesome and sexy a way possible. As always, please take the time to write me or comment. I’m certainly happy to chat, especially about the sexiness of Mary Jane Watson and Emma Frost. Nuff said!
Friday, November 4, 2016
The Red Queen Chapter 3: Perks and Proclivities is LIVE!
Whenever I write one of my sexy side-projects, I do so knowing it’s only going to appeal to a certain segment of my audience. I’ve been on the internet long enough to know that no matter how much it advances, there will be an inclination for some to seek out the sexier material it harbors in such great quantities. My sexy side-projects are just tiny contributions that I don’t expect to have much impact. That makes the response to The New Red Queen all the more remarkable.
I said it during the last update. It’s worth saying again. I’ve been downright shocked at the positive response I’ve gotten from this series. I know I shouldn’t be on some levels. Mary Jane Watson is one of those characters who has a special kind of sex appeal. How can she not? She looks like this, remember?
Yes, I know most people know what she looks like. I know the internet has any number of pictures that have her showing off the glorious assets that generations of Spider-Man writers have given her. I just can’t pass up an excuse to post sexy pictures of her. I will not apologize for that.
I also won’t apologize for making this latest entry of The New Red Queen extra sexy. I’ve found that within the unexpected feedback I’ve gotten, there’s a strong demand for Mary Jane Watson to channel her inherent sexy talents. Again, I shouldn’t be surprised by this in the slightest. Even so, it gives me all the more incentive to make this story as awesome as it deserves to be. This next chapter should satisfy some very particular demands that some readers have requested. When you read it, you’ll know who you are. Enjoy!
I don’t know if the response I’ve gotten with this story will continue. I hope it’s still as positive as it has been thus far. I mean it when I say I didn’t expect such a great response. As a result, I am already considering additional expansions of this series, which would put Mary Jane Watson in even more sexy situations. If that’s what people want, who am I to deny them? If there’s something you want to see, let me know! I’m always open for more inspiration, especially the sexy kind.
I said it during the last update. It’s worth saying again. I’ve been downright shocked at the positive response I’ve gotten from this series. I know I shouldn’t be on some levels. Mary Jane Watson is one of those characters who has a special kind of sex appeal. How can she not? She looks like this, remember?
Yes, I know most people know what she looks like. I know the internet has any number of pictures that have her showing off the glorious assets that generations of Spider-Man writers have given her. I just can’t pass up an excuse to post sexy pictures of her. I will not apologize for that.
I also won’t apologize for making this latest entry of The New Red Queen extra sexy. I’ve found that within the unexpected feedback I’ve gotten, there’s a strong demand for Mary Jane Watson to channel her inherent sexy talents. Again, I shouldn’t be surprised by this in the slightest. Even so, it gives me all the more incentive to make this story as awesome as it deserves to be. This next chapter should satisfy some very particular demands that some readers have requested. When you read it, you’ll know who you are. Enjoy!
I don’t know if the response I’ve gotten with this story will continue. I hope it’s still as positive as it has been thus far. I mean it when I say I didn’t expect such a great response. As a result, I am already considering additional expansions of this series, which would put Mary Jane Watson in even more sexy situations. If that’s what people want, who am I to deny them? If there’s something you want to see, let me know! I’m always open for more inspiration, especially the sexy kind.
Friday, October 14, 2016
The New Red Queen Chapter 2: Bold Benefits is LIVE!
Whenever I do one of my sexy side-projects, I do it knowing that it's a small-scale side-story that isn't intended to be too epic or elaborate. I do it because it's just a fun, sexy departure from my usual work with X-men Supreme. I don't intend for them to be on the same scale as other stories, nor do I expect them to be much of a hit.
That's why the response I got from "The New Red Queen" was such a shocker. Who know a story about a overtly sexier version of Mary Jane Watson with Emma Frost on the side would have such an appeal? Now that I write that down, I want to kick my own ass for not seeing it. Then again, that makes the surprise all the more pleasant.
For this, I sincerely thank all those who read and supported this story. I really appreciate it. Honestly, I had no idea that demand for a sexier version of Mary Jane Watson was that high. It's good to know that the concept has so much appeal. That made writing the next chapter and making it as sexy as possible all the more vital.
I'm sorry I couldn't get it out sooner. I understand there are many restless Mary Jane Watson fans out there who have had a nasty pain in their balls since Spider-Man made that fateful deal with Mephisto. I hope this story can ease that pain, among other things. If the response I get continues to be this strong, I'll definitely consider expanding this world and all the sexy possibilities. I'll also make it a point to ensure that I update this story within at least three weeks of posting a new chapter. I don't want the wait to be that long. That's just cruel and our collective balls can only take so much.
That being said, I hope that this new chapter is worth the wait. It continues what the first chapter started, setting Mary Jane Watson on a new path towards a new job that maximizes her sexiness. The world needs more Mary Jane Watson and I hope this story can contribute to that. Enjoy!
Again, thank you all very much for supporting this story. Really, I did not expect the response I got. If it continues, I'd love to expand the concept. If anyone has any suggestions or ideas, I'm happy to hear them. Anything that involves expanding a story where Mary Jane Watson is sexier can only help make the world a better place. Nuff said!
That's why the response I got from "The New Red Queen" was such a shocker. Who know a story about a overtly sexier version of Mary Jane Watson with Emma Frost on the side would have such an appeal? Now that I write that down, I want to kick my own ass for not seeing it. Then again, that makes the surprise all the more pleasant.
For this, I sincerely thank all those who read and supported this story. I really appreciate it. Honestly, I had no idea that demand for a sexier version of Mary Jane Watson was that high. It's good to know that the concept has so much appeal. That made writing the next chapter and making it as sexy as possible all the more vital.
I'm sorry I couldn't get it out sooner. I understand there are many restless Mary Jane Watson fans out there who have had a nasty pain in their balls since Spider-Man made that fateful deal with Mephisto. I hope this story can ease that pain, among other things. If the response I get continues to be this strong, I'll definitely consider expanding this world and all the sexy possibilities. I'll also make it a point to ensure that I update this story within at least three weeks of posting a new chapter. I don't want the wait to be that long. That's just cruel and our collective balls can only take so much.
That being said, I hope that this new chapter is worth the wait. It continues what the first chapter started, setting Mary Jane Watson on a new path towards a new job that maximizes her sexiness. The world needs more Mary Jane Watson and I hope this story can contribute to that. Enjoy!
Again, thank you all very much for supporting this story. Really, I did not expect the response I got. If it continues, I'd love to expand the concept. If anyone has any suggestions or ideas, I'm happy to hear them. Anything that involves expanding a story where Mary Jane Watson is sexier can only help make the world a better place. Nuff said!
Monday, September 26, 2016
New Sexy Side-Project: The New Red Queen
Summer is over. Beaches are empty. Christmas decorations are already popping up in malls. I know. I’m dreading it too. It’s going to get cold again. That means lying naked on my porch, reading comics and soaking up sun, is going to be a lot harder now and not just because the neighbors keep complaining. I’ve always found that it’s easier to have fun when you have the option of taking clothes off. Winter hinders that considerably. For that reason, the time is perfect for another one of my sexy side-projects.
It’s been a while since I’ve done something overly sexy. With the end of Broken Legacy, I’ve had time to flesh out an idea that I hoped to get around to at some point. A while back, I swallowed my current disdain for Peter Parker and wrote a Spider-Man story called “Spider-Man and the Prostitute.” This story basically centered around a few very important tweaks to Spider-Man’s life, namely the life that Mary Jane Watson lived. In case you’ve forgotten, Mary Jane Watson looks like this.
You may have forgotten, but I promise your penis didn’t. For reasons that should be extremely obvious to those with a functioning penis, Mary Jane’s story tends to be more compelling than Peter Parker’s. She looks better in skin-tight outfits, she has more personality, and she doesn’t threaten to quit her job every other week. I took those traits and crafted a new backstory for her, namely one that led her into a life of prostitution. It’s not “Pretty Woman.” It’s not a bad reality show on VH1 either. It’s just a story that allows Mary Jane to be sexy as hell, as she deserves to be.
I got such a good response from that story that I’ve decided to do a sequel. I actually had an idea for a sequel before the first story was even finished. It came when I was developing Mary Jane’s alternate history in this story. I mentioned, at one point, that she worked as a stripper at the Hellfire Club. In case you or your penis have forgotten, that’s the same Hellfire Club where Emma Frost once worked and Emma Frost looks like this.
I’ll give everyone a minute to change their underwear. Done? Well, I’m going to dig a little deeper into that story because as sexy as Mary Jane Watson is, her sexiness can only be enhanced with Emma Frost. There aren’t many women who can come close to matching her. Emma Frost is among those few.
So with that, I’m proud to announce the official sequel to “Spider-Man and the Prostitute.” Just as before, this will be a multi-part series. It takes place shortly after the events of the first story, but there will be plenty of flashbacks along the way that should offer more insight. I’ll try to make sure that insight is sexy as hell. Since it’s going to get cold out soon, I think the timing couldn’t be better.
Just like the last story, this isn’t going to be one of those stories that involves Spider-Man fighting the Green Goblin or any shit like that. This story is a sexy side project. That means it’ll emphasize the sexiness in all sorts of ways that aren’t suitable for children or anyone who still watches the shitty cartoons that Disney still airs. If you’re at all offended or uncomfortable with that, then this isn’t for you. You’ll just have to find other ways of staying warm this winter. For everyone else, I hope the extra sexiness warms you up!
It’s been a while since I’ve done something overly sexy. With the end of Broken Legacy, I’ve had time to flesh out an idea that I hoped to get around to at some point. A while back, I swallowed my current disdain for Peter Parker and wrote a Spider-Man story called “Spider-Man and the Prostitute.” This story basically centered around a few very important tweaks to Spider-Man’s life, namely the life that Mary Jane Watson lived. In case you’ve forgotten, Mary Jane Watson looks like this.
You may have forgotten, but I promise your penis didn’t. For reasons that should be extremely obvious to those with a functioning penis, Mary Jane’s story tends to be more compelling than Peter Parker’s. She looks better in skin-tight outfits, she has more personality, and she doesn’t threaten to quit her job every other week. I took those traits and crafted a new backstory for her, namely one that led her into a life of prostitution. It’s not “Pretty Woman.” It’s not a bad reality show on VH1 either. It’s just a story that allows Mary Jane to be sexy as hell, as she deserves to be.
I got such a good response from that story that I’ve decided to do a sequel. I actually had an idea for a sequel before the first story was even finished. It came when I was developing Mary Jane’s alternate history in this story. I mentioned, at one point, that she worked as a stripper at the Hellfire Club. In case you or your penis have forgotten, that’s the same Hellfire Club where Emma Frost once worked and Emma Frost looks like this.
I’ll give everyone a minute to change their underwear. Done? Well, I’m going to dig a little deeper into that story because as sexy as Mary Jane Watson is, her sexiness can only be enhanced with Emma Frost. There aren’t many women who can come close to matching her. Emma Frost is among those few.
So with that, I’m proud to announce the official sequel to “Spider-Man and the Prostitute.” Just as before, this will be a multi-part series. It takes place shortly after the events of the first story, but there will be plenty of flashbacks along the way that should offer more insight. I’ll try to make sure that insight is sexy as hell. Since it’s going to get cold out soon, I think the timing couldn’t be better.
Just like the last story, this isn’t going to be one of those stories that involves Spider-Man fighting the Green Goblin or any shit like that. This story is a sexy side project. That means it’ll emphasize the sexiness in all sorts of ways that aren’t suitable for children or anyone who still watches the shitty cartoons that Disney still airs. If you’re at all offended or uncomfortable with that, then this isn’t for you. You’ll just have to find other ways of staying warm this winter. For everyone else, I hope the extra sexiness warms you up!
Thursday, February 4, 2016
Adolescence Is Everybody's Kryptonite: Spider-Man #1
The following is my review of Spider-Man #1, which was posted on PopMatters.com.
Creating an iconic character is like trying to create another Mona Lisa. There's no formula to it. Nobody truly knows whether a character will become an icon any more than Da Vinci knew that his paintings would be the subject of a Dan Brown novel. It's these iconic characters that make up the backbone of the comic book industry and if modern comics has a Mona Lisa, then it is best manifested in the character of Peter Parker.
He's not just a character that Marvel and Disney milk for billions. He's a proverbial everyman who readers can relate to more than aliens from Krypton, warriors from Paradise Island, or talking raccoons with machine guns. Peter Parker embodies that uniquely close connection with readers wherein his heroics and his persona aren't larger than life. The strength and success of Peter Parker helped make him an icon. He turned Toby McGuire a Hollywood superstar. He turned Andrew Garfield into someone other than that guy who once dated Emma Stone. Peter's influence is beyond dispute.
In the same way the music industry looks for the next Elvis Presley, Marvel keeps trying to create another Peter Parker. The success of such efforts are varied at best. For every Kamala Khan, there's are multiple Ben Rileys. By most measures, the biggest success to date is Miles Morales. He may have been born from the defunct pile of ashes that was the Ultimate Universe, but the strength of his character has made him an icon in his own right and he managed to do it without resorting to clones.
With the end of Secret Wars, Miles Morales has now set up shop in the prime Marvel Universe. Now, absent of the baggage that made the Ultimate Universe the ultimate afterthought, he's free to develop on a new path in Spider-Man #1. That path follows a similar route to Peter Parker with a few unique twists along the way. While the destination is the same, the route might be a bit too familiar at times.
Miles Morales is in a very different place compared to Peter Parker. It's not just because he's a teenager, he's still in high school, and he hasn't been cloned yet either. He's still trying to establish himself in this world of female Thors, talking trees, and time-displaced X-men. On top of all that, he has to do that while trying to navigate high school, grades, and teenage hormones. The responsibilities placed on him couldn't be more unreasonable without demanding he master origami in the process.
This is the sort of balancing act that Superman, Batman, and Captain America never have to deal with. They're adults dealing with adult problems. What Miles deals with, and what Peter Parker once dealt with as well, are problems that actual people face as teenagers. Give any teenager superpowers and they'll still struggle being a teenager. Adolescences is everybody's kryptonite to some degree. This is what made Peter Parker relatable in his youth. This is what makes Miles Morales relatable in Spider-Man #1.
Brian Michael Bendis goes out of his way to emphasize Miles' struggles as a teenage boy over his struggles as Spider-Man. He spends most of the issue out of his costume, dealing with the frustrations and complications that come with being a teenager. This includes struggling with grades, dealing with irate teenage girls, and discussing midterms with parents. For countless teenagers, this is every bit as daunting as a battle against Galactus.
It's a typical part of a teenager's life and a part that most adults try to forget. Spider-Man #1 goes out of its way to capture that and for good reasons. It's one of the most important elements of Spider-Man's formula. While this keeps Miles grounded, as prescribed by the classic Peter Parker formula, it does have some shortcomings.
At times, the narrative tries too hard to make Miles Morales into a younger, non-clone version of Peter Parker. In the same way it's impossible to recreate the Beatles without John Lennon, it's not possible to make Miles exactly like Peter. It's one thing to have him struggle with school, grades, and women. This has been the basis of every Spider-Man movie and cartoon for nearly two decades. However, Miles Morales has a few key elements that set him apart and these elements are poorly developed in Spider-Man #1.
Miles doesn't life with his Aunt and Uncle. Miles' best friend doesn't have a rich father who occasionally puts on goblin masks and throws pumpkin bombs. Most notably, Miles isn't the nerdy white boy that shows like The Big Bang Theory have been glorifying for a decade. He's a half-black, half-latino kid in an urban area. Expecting his experiences to be the same as Peter Parker requires a certain ignorance of 100 years of American race relations or a complete rejection of every rant Bill O'Riley has ever made on the subject.
That's not to say that these differences are outright ignored. Miles' friendship with Genke, as well as his dealings with his parents, do help establish that Miles is not a Peter Parker clone. In any Spider-Man story, that counts for a lot. However, the failure to explore the elements that make Miles a different kind of Spider-Man is a significant shortcoming for the story.
Despite such shortcomings, Spider-Man #1 still sticks close enough to the formula to work. It still shows Miles functioning as both a teenager and as Spider-Man. When he finally does put on his costume, he confronts a threat that doesn't feel like it was pasted from old Steve Ditko art. There is sufficient intrigue to make Miles Morales' story worth following.
Brian Michael Bendis and Sara Pichelli follow the necessary formula to make Miles Morales feel like Spider-Man, but the finished product feels incomplete. It lacks the kinds of egregious flaws that would make that formula volatile. There's never a sense in Spider-Man #1 that Miles Morales is ready to make a deal with Mephisto. Miles is still a long way from Peter Parker in terms of iconic status and movie appearances, but with this issue, he takes another important step.
Creating an iconic character is like trying to create another Mona Lisa. There's no formula to it. Nobody truly knows whether a character will become an icon any more than Da Vinci knew that his paintings would be the subject of a Dan Brown novel. It's these iconic characters that make up the backbone of the comic book industry and if modern comics has a Mona Lisa, then it is best manifested in the character of Peter Parker.
He's not just a character that Marvel and Disney milk for billions. He's a proverbial everyman who readers can relate to more than aliens from Krypton, warriors from Paradise Island, or talking raccoons with machine guns. Peter Parker embodies that uniquely close connection with readers wherein his heroics and his persona aren't larger than life. The strength and success of Peter Parker helped make him an icon. He turned Toby McGuire a Hollywood superstar. He turned Andrew Garfield into someone other than that guy who once dated Emma Stone. Peter's influence is beyond dispute.
In the same way the music industry looks for the next Elvis Presley, Marvel keeps trying to create another Peter Parker. The success of such efforts are varied at best. For every Kamala Khan, there's are multiple Ben Rileys. By most measures, the biggest success to date is Miles Morales. He may have been born from the defunct pile of ashes that was the Ultimate Universe, but the strength of his character has made him an icon in his own right and he managed to do it without resorting to clones.
With the end of Secret Wars, Miles Morales has now set up shop in the prime Marvel Universe. Now, absent of the baggage that made the Ultimate Universe the ultimate afterthought, he's free to develop on a new path in Spider-Man #1. That path follows a similar route to Peter Parker with a few unique twists along the way. While the destination is the same, the route might be a bit too familiar at times.
Miles Morales is in a very different place compared to Peter Parker. It's not just because he's a teenager, he's still in high school, and he hasn't been cloned yet either. He's still trying to establish himself in this world of female Thors, talking trees, and time-displaced X-men. On top of all that, he has to do that while trying to navigate high school, grades, and teenage hormones. The responsibilities placed on him couldn't be more unreasonable without demanding he master origami in the process.
This is the sort of balancing act that Superman, Batman, and Captain America never have to deal with. They're adults dealing with adult problems. What Miles deals with, and what Peter Parker once dealt with as well, are problems that actual people face as teenagers. Give any teenager superpowers and they'll still struggle being a teenager. Adolescences is everybody's kryptonite to some degree. This is what made Peter Parker relatable in his youth. This is what makes Miles Morales relatable in Spider-Man #1.
Brian Michael Bendis goes out of his way to emphasize Miles' struggles as a teenage boy over his struggles as Spider-Man. He spends most of the issue out of his costume, dealing with the frustrations and complications that come with being a teenager. This includes struggling with grades, dealing with irate teenage girls, and discussing midterms with parents. For countless teenagers, this is every bit as daunting as a battle against Galactus.
It's a typical part of a teenager's life and a part that most adults try to forget. Spider-Man #1 goes out of its way to capture that and for good reasons. It's one of the most important elements of Spider-Man's formula. While this keeps Miles grounded, as prescribed by the classic Peter Parker formula, it does have some shortcomings.
At times, the narrative tries too hard to make Miles Morales into a younger, non-clone version of Peter Parker. In the same way it's impossible to recreate the Beatles without John Lennon, it's not possible to make Miles exactly like Peter. It's one thing to have him struggle with school, grades, and women. This has been the basis of every Spider-Man movie and cartoon for nearly two decades. However, Miles Morales has a few key elements that set him apart and these elements are poorly developed in Spider-Man #1.
Miles doesn't life with his Aunt and Uncle. Miles' best friend doesn't have a rich father who occasionally puts on goblin masks and throws pumpkin bombs. Most notably, Miles isn't the nerdy white boy that shows like The Big Bang Theory have been glorifying for a decade. He's a half-black, half-latino kid in an urban area. Expecting his experiences to be the same as Peter Parker requires a certain ignorance of 100 years of American race relations or a complete rejection of every rant Bill O'Riley has ever made on the subject.
That's not to say that these differences are outright ignored. Miles' friendship with Genke, as well as his dealings with his parents, do help establish that Miles is not a Peter Parker clone. In any Spider-Man story, that counts for a lot. However, the failure to explore the elements that make Miles a different kind of Spider-Man is a significant shortcoming for the story.
Despite such shortcomings, Spider-Man #1 still sticks close enough to the formula to work. It still shows Miles functioning as both a teenager and as Spider-Man. When he finally does put on his costume, he confronts a threat that doesn't feel like it was pasted from old Steve Ditko art. There is sufficient intrigue to make Miles Morales' story worth following.
Brian Michael Bendis and Sara Pichelli follow the necessary formula to make Miles Morales feel like Spider-Man, but the finished product feels incomplete. It lacks the kinds of egregious flaws that would make that formula volatile. There's never a sense in Spider-Man #1 that Miles Morales is ready to make a deal with Mephisto. Miles is still a long way from Peter Parker in terms of iconic status and movie appearances, but with this issue, he takes another important step.
Final Score: 7 out of 10
Labels:
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Marvel,
Marvel Comics,
Miles Morales,
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Sara Pichelli,
Secret Wars,
Spider-Man,
Spider-Man comics,
Ultimate Spider-Man
Sunday, November 1, 2015
Spider-Man and the Prostitute is COMPLETE!
Every now and then, you just feel like telling a story that isn't overly epic. Sometimes, you just want something that's simple, fun, and sexy as hell. As someone who is trying to make a living writing awesome stories, some of which are built around the premise of being sexy as hell, it's an important skill to refine. That's why these sexy side-projects of mine are so much fun. And today, I've completed yet another.
A while back, I began a Spider-Man story built around a sexy re-imagining how of Peter Parker and Mary Jane became involved with one another. Seeing as how Marvel is intent on driving these two apart, despite the passion of fans, I feel stories like this are all the more precious. I didn't do anything too crazy. This isn't Ultimate or 2099. I just tweaked a few details about Peter Parker and Mary Jane's life. Then, I went to work making it sexy as hell. The finished product is ready for all those who miss the sexiness that this iconic couple once conveyed.
Now, it's complete. However, this is one of those stories that I could possibly expand on. It could be in the form of a sequel or a few extra chapters. It depends. And if anyone has any suggestions for how to expand this narrative, I'm always happy to listen. It's not like we'll be getting anything like this in the Spider-Man comics anytime soon. So I hope everyone enjoys it. Excelsior!
Sunday, October 18, 2015
Growth and Regression: Amazing Spider-Man #1
The following is my review of Amazing Spider-Man #1, which was posted on PopMatters.com.
Certain characters have certain characteristics that make them iconic, lovable, or at the very least acceptable. On the surface, characters like Batman or the Punisher would be diagnosed with serious personality disorders in the real world. But within their respective narratives, they're portrayed in a way that makes them respectable despite whatever disorder they might have. Whereas they would need serious counseling and medication in the real world, they're able to channel their problems into a personal journey. And in some respects, that might be healthier, given the side-effects of certain medications.
The personal journey of Peter Parker isn't nearly as dark or distressing as Batman or the Punisher. It's not all rainbows and ponies either, given how he's lost loved ones and endured trauma that few therapists are equipped to treat. But his journey has always been conveyed in a way that feels more relatable than most characters. He's not an alien from a distant world. He's not an ex-marine or eccentric billionaire. He's a kid from Queens. If he were in a high school yearbook, he'd be voted the most likely to be completely forgotten the day after graduation.
But over the past few years, that reliability has been undermined and this time it's not because he married a supermodel. He's gone from a no-name kid from Queens to an aspiring Tony Stark wannabe. He has his own company. He has a doctorate. The amount of people who can make that claim these days could probably fill Yankee's Stadium and still have enough room left for an open bar and buffet.
Now, in Amazing Spider-Man #1, the journey of Peter Parker goes in a bold new direction. But does this direction remain true to the narrative that makes Peter Parker respectable? The answer isn't a clear yes or no. However, there are clear undertones that attempt to keep this new direction from being too bold. And in some respects, this is a major crack in the foundation of Spider-Man. It hasn't caused the whole building to crumble, but it does give the impression that it bribed the building code inspector.
That's not to say the foundation doesn't support an engaging story. It's a story that involves an oversized car that can climb walls. And if the success of the Fast and the Furious movies has taught us anything, it's that obscenely overpowered cars are awesome. Peter Parker might not Vin Disel, but he does finally put that genius IQ to work for him and he's able to do it without losing any hair. That alone is an accomplishment.
It feels like one of those stories that shouldn't have taken this long to develop. Like a state that only recently revoked laws that banned short skirts, it feels like Peter should've done something like this earlier. A big part of his character is that he's a nerd with an above-average IQ. It's because of that IQ that he was able to make the kind of artificial webbing that DARPA probably spent $10 billion trying to develop. That kind of resourcefulness gives him all the traits he needs to be a successful businessman. Elon Musk is proof enough of that.
But however long it took, Peter never gives the impression that he's all that comfortable with this role. His definitely not Tony Stark in that he carries himself with the kind of Kanye West swagger that would lead him to spend six figures on a toilet seat. He does still come off as the kind of humble everyman that makes Spider-Man so iconic. While this is admirable, it's also the greatest flaw in the narrative.
A good chunk of the story is spent showing how Peter runs his company. He basically tries to run it in the way Bernie Sanders thinks all companies should be run. He doesn't pay himself an obscene salary. He tries to put himself on the same levels as his workers. And he tries to be charitable in a way that the Bill Gates of the world would approve of. But it's the Bruce Waynes and Tony Starks of the world who would sense something amiss.
The readers already know what's amiss and they don't need Bruce Wayne's detective skills to figure it out. Peter Parker, for all his brilliance and humility, doesn't give the impression that he knows what he's doing. In the same way he basically fell into his powers, he fell into this company as well. He didn't create it out of a garage like Steve Jobs. Otto Octavious created it. He just inherited it when the whole mind-swap story finally regressed. And because of this, there's this underlying sentiment that Peter will regress.
This is what makes it hard to get overly excited about the bold new direction of Peter Parker in Amazing Spider-Man #1. There's this sense that because Peter doesn't know what he's doing, he's going to screw it up somehow and regress back to the guy who lives with his Aunt and works a lousy job for J. Jonah Jameson. He calls it Parker Luck, but it's really a flaw in system that makes it hard to get attached to any of these new developments.
It's played out many times throughout Spider-Man's history. Gets a really nice job that pulls him out of poverty? He screws it up. Gets a really nice girl? He screws that up too. Gets his own company that somebody else created for him? He hasn't screwed that up yet, but there's a distinct sense that he will. The ending already lays the foundation in that a familiar enemy re-emerges who is bound to make screwing up that much easier.
For the moment, Peter Parker is in a new position with a new narrative. There are elements in Amazing Spider-Man #1 that give that narrative plenty of promise. At the same time, it feels more like a gimmick in the same mold of Superior Spider-Man. There's still a sense that at some point, Peter Parker will snap back to being that everyman who hasn't progressed beyond the stage of an indebted college student. And as relatable as that is, there comes a point where someone stuck in that stage isn't all that amazing.
Certain characters have certain characteristics that make them iconic, lovable, or at the very least acceptable. On the surface, characters like Batman or the Punisher would be diagnosed with serious personality disorders in the real world. But within their respective narratives, they're portrayed in a way that makes them respectable despite whatever disorder they might have. Whereas they would need serious counseling and medication in the real world, they're able to channel their problems into a personal journey. And in some respects, that might be healthier, given the side-effects of certain medications.
The personal journey of Peter Parker isn't nearly as dark or distressing as Batman or the Punisher. It's not all rainbows and ponies either, given how he's lost loved ones and endured trauma that few therapists are equipped to treat. But his journey has always been conveyed in a way that feels more relatable than most characters. He's not an alien from a distant world. He's not an ex-marine or eccentric billionaire. He's a kid from Queens. If he were in a high school yearbook, he'd be voted the most likely to be completely forgotten the day after graduation.
But over the past few years, that reliability has been undermined and this time it's not because he married a supermodel. He's gone from a no-name kid from Queens to an aspiring Tony Stark wannabe. He has his own company. He has a doctorate. The amount of people who can make that claim these days could probably fill Yankee's Stadium and still have enough room left for an open bar and buffet.
Now, in Amazing Spider-Man #1, the journey of Peter Parker goes in a bold new direction. But does this direction remain true to the narrative that makes Peter Parker respectable? The answer isn't a clear yes or no. However, there are clear undertones that attempt to keep this new direction from being too bold. And in some respects, this is a major crack in the foundation of Spider-Man. It hasn't caused the whole building to crumble, but it does give the impression that it bribed the building code inspector.
That's not to say the foundation doesn't support an engaging story. It's a story that involves an oversized car that can climb walls. And if the success of the Fast and the Furious movies has taught us anything, it's that obscenely overpowered cars are awesome. Peter Parker might not Vin Disel, but he does finally put that genius IQ to work for him and he's able to do it without losing any hair. That alone is an accomplishment.
It feels like one of those stories that shouldn't have taken this long to develop. Like a state that only recently revoked laws that banned short skirts, it feels like Peter should've done something like this earlier. A big part of his character is that he's a nerd with an above-average IQ. It's because of that IQ that he was able to make the kind of artificial webbing that DARPA probably spent $10 billion trying to develop. That kind of resourcefulness gives him all the traits he needs to be a successful businessman. Elon Musk is proof enough of that.
But however long it took, Peter never gives the impression that he's all that comfortable with this role. His definitely not Tony Stark in that he carries himself with the kind of Kanye West swagger that would lead him to spend six figures on a toilet seat. He does still come off as the kind of humble everyman that makes Spider-Man so iconic. While this is admirable, it's also the greatest flaw in the narrative.
A good chunk of the story is spent showing how Peter runs his company. He basically tries to run it in the way Bernie Sanders thinks all companies should be run. He doesn't pay himself an obscene salary. He tries to put himself on the same levels as his workers. And he tries to be charitable in a way that the Bill Gates of the world would approve of. But it's the Bruce Waynes and Tony Starks of the world who would sense something amiss.
The readers already know what's amiss and they don't need Bruce Wayne's detective skills to figure it out. Peter Parker, for all his brilliance and humility, doesn't give the impression that he knows what he's doing. In the same way he basically fell into his powers, he fell into this company as well. He didn't create it out of a garage like Steve Jobs. Otto Octavious created it. He just inherited it when the whole mind-swap story finally regressed. And because of this, there's this underlying sentiment that Peter will regress.
This is what makes it hard to get overly excited about the bold new direction of Peter Parker in Amazing Spider-Man #1. There's this sense that because Peter doesn't know what he's doing, he's going to screw it up somehow and regress back to the guy who lives with his Aunt and works a lousy job for J. Jonah Jameson. He calls it Parker Luck, but it's really a flaw in system that makes it hard to get attached to any of these new developments.
It's played out many times throughout Spider-Man's history. Gets a really nice job that pulls him out of poverty? He screws it up. Gets a really nice girl? He screws that up too. Gets his own company that somebody else created for him? He hasn't screwed that up yet, but there's a distinct sense that he will. The ending already lays the foundation in that a familiar enemy re-emerges who is bound to make screwing up that much easier.
For the moment, Peter Parker is in a new position with a new narrative. There are elements in Amazing Spider-Man #1 that give that narrative plenty of promise. At the same time, it feels more like a gimmick in the same mold of Superior Spider-Man. There's still a sense that at some point, Peter Parker will snap back to being that everyman who hasn't progressed beyond the stage of an indebted college student. And as relatable as that is, there comes a point where someone stuck in that stage isn't all that amazing.
Final Score: 5 out of 10
Tuesday, October 6, 2015
Spider-Man and the Prostitute: The Proposition UPDATE!
Since I know certain fans can be impatient about certain stories, I did a little overtime on my new side-project, Spider-Man and the Prostitute. It's a story I built around the premise of being unambiguously, unapologetically sexy and nobody likes to wait on that, I'm making sure I don't leave too many fans hanging.
Few characters evoke a natural, unmistakable sexiness than Mary Jane Watson. She's right up there with Emma Frost in terms of characters who exude a natural, powerful sexiness. And for reasons I can only attribute to chronic blue balls, Marvel has decided to sideline and marginalize her. Even when she does show up, they don't let her be sexy and that's a crime against comic fans everywhere.
Now this story has cranked up the sexiness, some might say to a gratuitous level. But to those who would say that, I say fuck off. This is a story about a world where Mary Jane Watson became a prostitute and never knew Peter Parker in her youth. And that's a story that's bound to get sexual in a major way very soon. That story continues in this next chapter, which I hope gets the blood flowing in all the right directions.
I plan on letting this story get a lot sexier before it's finished. It's not going to be long, but it will be hot as hell because we should expect nothing less from Mary Jane Watson. Nuff said!
Sunday, October 4, 2015
Spider-Man and the Prostitute: A Sexy New Fic
It’s been a while since I’ve been able to enjoy Spider-Man. With the exception of the recent Renew Your Vows story, I just haven’t been able to enjoy a story about Peter Parker, a middle-aged man-child whose life never progresses and whose story has become too predictable. I can tell you exactly how the current comics will pan out. At some point, he’ll all his money, Parker Industries will go bankrupt, and he’ll be back to working for Jameson, living with his Aunt May, and struggling with women. That shit was fine 30 years ago, but at some point a character needs to fucking progress.
That said, I still have a passion for Spider-Man. His cartoons and comics may suck, but he’s still one of the most iconic characters in Marvel. And whether Joe Quesada likes it or not, he and Mary Jane Watson are among the most iconic romances in the history of comics. No deal with Mephisto can ever undo that. And even if Mary Jane ends up taking up the ass from Tony Stark in the new Invincible Iron Man series, her relationship with Peter Parker will still be iconic.
It’s going to be a long time before Marvel lets that relationship prosper again. But that doesn’t mean guys like me can stop celebrating it. So in another one of my sexy side-projects, I’ve crafted a Peter/Mary Jane story that should help remind some Spider-Man fans that there was once a time when Peter was likable. It’s a story that takes place in an alternate universe, but it does NOT involve any deals with the devil. It’s just a world where Peter and Mary Jane come together in a different way. Oh, and Mary Jane is a prostitute in this universe. Can’t forget that tidbit. Enjoy!
I get that this setup might offend some fans of Mary Jane or the typical radical feminist, but it’s my story. And since we’re never going to get a story like this from Marvel, be it about a prostitute or Peter/Mary Jane being a thing again, I want to offer something for the other fans who haven’t forgotten about a time when Peter Parker was actually awesome. Nuff said!
Wednesday, April 29, 2015
Scanned Thoughts: Spider-Man and the X-men #6
Like peanut butter and jelly or Jack Daniels and coke, there are just some combinations that work. And for a long time, Wolverine and Spider-Man was among those combinations. It was right up there with Emma Frost and She-Hulk as the most fitting team-up. These two were like the ultimate buddy cop movie. They carried themselves so differently, but they found a way to make it work in the most awesome way possible. Then Wolverine had to go get himself killed and like David Spade without Chris Farley, we lost something.
That loss still hurts, but it hasn't stopped Spider-Man from honoring his fallen friend. He's been trying to do just that in Spider-Man and the X-men as a teacher at the Jean Grey School. For the most part, he's either failed miserably or found a way to piss off all of Wolverine's old friends. But he's done it in a way that has been fun and entertaining, even if it has lacked depth and refinement. I admit a part of me reads this and thinks, "I'd much rather see Spider-Man and Wolverine kick the Kingpins ass and then bang a dozen redheaded strippers." Instead, I'm reading about Spider-Man tripping over his ass trying to find a mole in the Jean Grey Institute and continually pissing off Storm in the process. It has been entertaining, but it just hasn't been the same. Spider-Man and the X-men #6 is supposed to up the stakes. But it still has a long ways to go before it can be on the same level as Spidy and Wolverine getting drunk at a bar.
That said, it’s not too many levels down after Spidy finds out who that mole was that Wolverine wanted him to fine. And as it just so happens, that mole was working with Sinister, the only X-men villain who can make Norman Osborn seem less creepy without impregnating Gwen Stacy. At the end of the previous issue, Ernst finally revealed to Spider-Man that she had been the one looking to screw the X-men over. But she didn’t do it just so she could take a nice steaming shit on Wolverine’s grave. She did it for a friend.
I can write that with a straight face because even though she worked with Sinister, she doesn’t come off as a total dick. She reveals that she helped Sinister because he promised to create a new body for her disembodied friends, No Girl. It’s a surprisingly serious and sincere motivation in a story that has been about as serious as a physics lecture by Sarah Palin. It adds some much needed balance, even as Spider-Man jokes with Sinister while he’s tied down to a gurney. Yes, he jokes even in the face of Mr. Sinister. He’s Spider-Man. Even a deal with Mephisto can’t keep him from making these kind of shitty wise-cracks, but that’s a big part of why we still love him despite Andrew Garfield’s attempts to change that.
All joking aside, Spider-Man is exceedingly screwed in ways he probably hasn’t been since the last time he banged Black Cat. The only ones who have any idea he’s in trouble and give enough of a shit to do about it are his students, who he’s been trying to motivate with laughably limited success. But being teenagers, they’re inclined to get a little curious when their teacher disappears. Being curious in a way that would get most teenagers pregnant by their junior year, they decide to do more than just tweet about it and investigate.
They find out that someone roughed Spider-Man up and not with pumpkin bombs or metal arms either. Since one of them has the tracking skills and the head of a shark, they can sniff him out. And since teenagers aren’t prone to thinking things through, hence the prevalence of shitty tattoos and body piercings, they decide to go after it. And since they have mutant powers, they’re less inclined to be stopped. Who the fuck would try to stop a guy with rocky skin and a girl who looks like a shark?
Back at Sinsiter’s lab, Spider-Man is still trapped and still making jokes. He doesn’t even get too pissed at Ernst. Most teachers I know would’ve gone Catholic School on her ass at this point. But all the joking doesn’t make what Sinister reveals any less disturbing. Despite being a pasty-faced dick, he does fulfill his end of the bargain. He gives No Girl a new body. He just does it in a way that makes him both a dick and a dick with a twisted sense of humor.
The new body he gives her happens to be a clone of Storm. Granted, it’s not the worse body he could’ve given her. He could’ve put her in the body of Rosanne if he wanted. Instead, he put her in a badass weather goddess’ body. I would’ve preferred the body with the boobs of Emma Frost and the ass of Captain Marvel, but that’s just me. What makes it a dick move is that he adds something else that he didn’t tell Ernst. He adds a little fine print to the user agreement that allows him to control her. So she has a body, but she might as well be the pinkie toe instead of the brain. It’s not much of an upgrade.
It still puts Spider-Man in a shitty situation. Him against a clone Storm is not a fair fight. Given his history with clones, he’s probably better off trying to fuck her than fight her. But his students are coming to his rescue, albeit with the competence of a Comcast customer service rep. They’re able to track him down to a mall of all places, which I guess is a nice change of pace from the typical abandoned warehouse. But they only find it just in time to see that Sinister cloned more than Storm. He cloned the rest of the Jean Grey Institute staff as well, including Wolverine.
Even though they’re clones, they still present an unfair fight for Spidy’s students. It still sets up a fairly epic clash. That’s not something I usually say when Spider-Man is involved in a fight with clones. That’s usually a good sign. Any battle involving Spider-Man and clones is taboo for the same reason anything involving star athletes and strip clubs is taboo. But it helps that emotions with Ernst and No-Girl add weight to the battle. Otherwise, it would just be a battle about Sinister being a dick.
The battle is nicely detailed and eventually Spider-Man is freed so he can participate. He gets a chance to give his students what amounts to a pop quiz that’s only slightly less nerve-racking than a Calculus quiz. These students that he’s been trying to motivate in a ways that won’t make Wolverine throw up in his grave actually rally behind him. He’s able to guide them in a way that allows them to one-up these rip-off X-men. Hellion and Eye Boy especially shine, turning clone Iceman’s powers against him. It may or may not be a result of Spider-Man’s teaching, but he definitely deserves a gold star.
But the most intense part of the battle is still with No Girl and Ernst. Sinister doesn’t seem to care that much that his clones are getting their asses kicked by a bunch of teenagers who can probably still count the number of Sentinel attacks they’ve experienced on one hand. He’s more than happy to just watch his creations torment Ernst. He’s probably hiding a huge erection. But that boner quickly gets killed when Spider-Man conveniently tricks a clone of Firestar to burning away the DNA samples that Ernst collected for him. Spider-Man even is a dick about it, but in the most satisfying possible way. Given Sinister’s capacity for doing twisted shit, a dick move like this is both warranted and satisfying.
The battle gets a little less detailed from here. The rest of the team doesn’t really do much while what’s left of Sinister’s clone army continues to rampage. The main struggle is still with No Girl and Ernst. It’s here where we find out that Spider-Man’s efforts to teach these renegade, hormonal mutant teenagers actually succeeded on some levels. His preaching about power and responsibility actually resonated with them. Usually, a message doesn’t resonate with a teenager unless food or internet access is involved. That’s what makes it so meaningful.
Ernst, knowing she betrayed the X-men and aided one of their worst enemies, takes responsibility for her shit and does the right thing. She attacks her friend in a beautifully emotional moment. The themes of power and responsibility really shine here, something that teenagers usually don’t say outside of a made-for-TV Disney movie. But it still feels genuine and in a story that involves clones, that’s saying a lot.
Once Ernst subdues No Girl, she joins up with the others to take on Sinister and his clone army. It’s more than a little messy. She just ripped the brain out of the head of a clone of Storm. Sadly, we don’t get any gruesome details. Those with a weak stomach can breathe a sigh of relief. Those who aren’t afraid to eat pizza they find between couch cushions can sigh in disappointment.
It’s even more disappointing when the battle against Sinister is essentially cut off. Once No Girl is back to being a brain in a jar, we don’t get any more details. The story basically just skips ahead to the aftermath. For a battle that had been pretty visceral, despite involving clones, that’s a pretty big disappointment. Then again, Sinister was now facing a team of unified pissed off teenagers. He had to know he was outmatched at that point.
However the battle ends, the aftermath is still somewhat compelling. Spider-Man has a nice chat with Storm, which is saying something in and of itself given how she’s made it clear in this series that she finds Spider-Man only slightly less annoying than head lice. But during this chat, he talks about what he tried to teach these mutant teenagers. More importantly, these mutant teenagers show the Jean Grey Institute that they appreciated this lesson. They even used it in a real-world situation. How many teenagers who appreciate an algebra lesson an say that?
It makes for a nice bit of insight for each character. These are all D-list X-men characters who don’t usually get a chance to be awesome. But the way they talk to Storm and the Jean Grey Institute staff about their experience with Spider-Man makes them worth giving a few fucks about. They actually show that they’re not just teenagers with powers. They’re capable of using these powers to kick Sinister’s ass, beat up clones, and help civilians. That’s way more progress than most teenagers get without getting drafted.
Their heroics genuinely impress the Jean Grey Institute staff. What impresses them even more is that they actually stick up for Ernst. Whether inspired by Spider-Man or just being less dickish than most teenagers, they urge them not to expel Ernst for working with Sinister. Even Storm admits that she wouldn’t have been the first X-men to work with him. Hell, if they can let Emma Frost join the X-men after the shit she’s done, they have no excuse for ditching Ernst. It’s a nice moment and one that highlights the progress these young mutants have made. It’s more progress than they would’ve gotten by just fighting giant robots too. That’s what makes it unique and meaningful.
They still get disciplined, but not in a way that’ll make them drop cherry bombs down toilets. Spider-Man even goes out of his way to commend his students for being so responsible. They managed to be responsible in the face of evil clones. By Spider-Man’s standard, they’re the mutant equivalent of a playoff caliber football team. He gives them a nice speech and even goes out of his way to apologize to No Girl for thinking she was the mole. It’s probably the most serious tone that Spider-Man has used in this series and its fitting.
It’s also fitting that in the spirit of responsibility, they start helping Spider-Man with his patrols. That’s right. As an extra credit assignment of sorts, they get to become the beta version of Spider-Man and his Amazing Friends. They get to fly with him throughout New York and fight crime. All I’ll say about that is it beats the hell out of study hall.
So in the end, was this series as entertaining as a classic Wolverine/Spider-Man team-up? In my soberish opinion, no. It is not. But then again few things are and this issue came tantalizingly close. It's in the same zip code, even if it isn't in the same neighborhood. This series has been chaotic and uncoordinated at times. It has made a noble effort to capture the fun, entertaining experience that Wolverine and the X-men once had. It only succeeded in part in that respect, but it succeeded in plenty others that helped make up for it.
This issue completed a story that got more side-tracked Keanu Reeves' career. Spider-Man came to the Jean Grey Institute to find a mole. He found that mole, which led to a clash with Sinister and extensive property damage. It wasn't as epic as it could've been, but it was still entertaining. Spider-Man still comes off as the least qualified teacher at the Jean Grey Institute, but that's part of what made it so entertaining. And like a drunken boxer that somehow lands a lucky hit, he managed to get the job done. He got through to his students and even the Jean Grey Institute staff found him less annoying. It may have had the tone of a Looney Toons rerun, but it still had heart and it made for a satisfying conclusion to this series. I give Spider-Man and the X-men #6 a 7 out of 10. I still miss stories about Spider-Man and Wolverine being the ultimate buddy-cop team-up. But if Spider-Man can team-up with shark girls, eye boys, and disembodied brains while Wolverine enjoys his death vacation, I think that'll tide me over in the interim. Nuff said!
Tuesday, March 3, 2015
A True Second Life: Spider-Gwen #1
The following is my review of Spider-Gwen #1, which was posted on PopMatters.com.
For better or for worse, some characters are defined by a singular moment. Batman is defined by the murder of his parents. Peter Parker is defined by the irresponsibility that led to the death of his uncle. And Jason Biggs is defined by his intimate dealings with baked goods in American Pie. These defining moments are both memorable and compelling for their iconic impact. But sometimes these moments can weight down a character and limit their development. This is what happened to Gwen Stacy.
For decades now, Gwen Stacy has been defined by her death. Even after her history was obscenely twisted by an affair with Norman Osborn, her death remains the most notable aspect of her character. Her personality, motivations, and potential were all shackled by this moment. That’s why a new world with a new path feels so jarring. That’s what the events of Spider-Verse offered when it introduced Spider-Gwen.
In this world, Gwen Stacy was no longer the girl who died or got knocked up by Norman Osborn. She was the one who got bit by the spider and became a new incarnation of Spider-Man. For a character that’s been around since the disco era, it’s a novelty that shouldn’t feel like one on paper. She’s a cute, pretty blonde who gets Spider-Powers. If she didn’t have any history and tried to come out in an era of female Thors and Kamala Khans, she probably wouldn’t make the cut. But she does have that history and Spider-Gwen #1 shows that this history helps make this new path special.
The context of Spider-Man’s history is what gives Gwen’s status as Spider-Woman weight in the story. There are familiar names all around her from Ben Grimm to Foggy Nelson. Some of these characters are very different. Some aren’t different at all. Kingpin is still a criminal mastermind, Vulture is still a C-list villain, and J. Jonah Jameson is still a cantankerous blow-hard. It’s a world that feels like Spider-Man. But through the eyes of Gwen Stacy, it takes on a bold new meaning.
In many respects, Gwen Stacy’s struggles are very similar to a young Peter Parker. She’s trying to do the right thing and be a hero. However, everyone else in the world thinks she’s a villain. At one point, her own father was Spider-Woman’s harshest critic. And in a world where people J. Jonah Jameson seriously, that’s saying something. Her defining moment to this point was her revealing her identity to her father and saving him. While that moment made her a hero in the same way catching his uncle’s killer made him a hero, it also complicated her life in ways befitting of any Spider-Man story.
Gwen Stacy is really at rock bottom in terms of her reputation as a superhero. In some ways, she has it even worse than Peter Parker. At least Peter Parker didn’t get blamed for the death of his uncle. Since J. Jonah Jameson loves to outdo himself in any universe, he’s made it so Spider-Woman is the reason for Peter Parker’s death in this world. And since her father is still a captain with the NYPD, she doesn’t even have a home to go to. Even on his worst days, Peter could count on a nice home-cooked meal from his Aunt May. Gwen doesn’t have that luxury.
Most of the story revolves around Gwen coming to grips with all the forces that are working against her. But in the tradition of all the Spider-Men and Spider-Women that came before her, she doesn’t let that stop her from being responsible. In fact, she conveys more responsibility than Peter Parker did as a teenager in some ways. She doesn’t blame anyone else for her situation. She doesn’t get overly bitter. She doesn’t even whine about it. She just takes it all in until she sees an opportunity to make Spider-Woman a hero again. And she hasn’t even thrown her costume in a garbage can yet. Compared to Peter Parker and Miles Morales, she’s way ahead of schedule.
The strength of this story is built around Gwen Stacy trying to re-establish herself in a world that is trying desperately to reject her. It’s a world that’s conveyed through her eyes and from her perspective. It feels very personal while capturing all the right elements that make Spider-Man stories great. But beyond this strength, there isn’t much in terms of bonuses.
There are other parts of the story that tie into Gwen’s, but they’re only marginally developed. There’s nothing about this version of Vulture that anyone is going to find novel or intriguing. The same can be said for Kingpin and J. Jonah Jameson. That’s not to say there aren’t other stories worth following. The band Gwen belongs to, the Mary Janes, are one of the more novel aspects of her world. Their story does continue, but not by much. They’re basically the equivalent of Youtube celebrities now. And that can only last as long as the next cat video.
There was a lot to love about Gwen Stacy before she ever got spider-powers. Spider-Gwen #1 reveals a world has a very different Gwen Stacy, but she still has all the same characteristics that make her so lovable. She’s still that sweet girl next door that boys are afraid to talk to since her father is a cop. She just happens to have spider-powers in this world and she’s had the same rotten luck as Peter Parker in terms of using them responsibility. But considering how she ended up dead in Peter’s world, it still counts as an upgrade.
For better or for worse, some characters are defined by a singular moment. Batman is defined by the murder of his parents. Peter Parker is defined by the irresponsibility that led to the death of his uncle. And Jason Biggs is defined by his intimate dealings with baked goods in American Pie. These defining moments are both memorable and compelling for their iconic impact. But sometimes these moments can weight down a character and limit their development. This is what happened to Gwen Stacy.
For decades now, Gwen Stacy has been defined by her death. Even after her history was obscenely twisted by an affair with Norman Osborn, her death remains the most notable aspect of her character. Her personality, motivations, and potential were all shackled by this moment. That’s why a new world with a new path feels so jarring. That’s what the events of Spider-Verse offered when it introduced Spider-Gwen.
In this world, Gwen Stacy was no longer the girl who died or got knocked up by Norman Osborn. She was the one who got bit by the spider and became a new incarnation of Spider-Man. For a character that’s been around since the disco era, it’s a novelty that shouldn’t feel like one on paper. She’s a cute, pretty blonde who gets Spider-Powers. If she didn’t have any history and tried to come out in an era of female Thors and Kamala Khans, she probably wouldn’t make the cut. But she does have that history and Spider-Gwen #1 shows that this history helps make this new path special.
The context of Spider-Man’s history is what gives Gwen’s status as Spider-Woman weight in the story. There are familiar names all around her from Ben Grimm to Foggy Nelson. Some of these characters are very different. Some aren’t different at all. Kingpin is still a criminal mastermind, Vulture is still a C-list villain, and J. Jonah Jameson is still a cantankerous blow-hard. It’s a world that feels like Spider-Man. But through the eyes of Gwen Stacy, it takes on a bold new meaning.
In many respects, Gwen Stacy’s struggles are very similar to a young Peter Parker. She’s trying to do the right thing and be a hero. However, everyone else in the world thinks she’s a villain. At one point, her own father was Spider-Woman’s harshest critic. And in a world where people J. Jonah Jameson seriously, that’s saying something. Her defining moment to this point was her revealing her identity to her father and saving him. While that moment made her a hero in the same way catching his uncle’s killer made him a hero, it also complicated her life in ways befitting of any Spider-Man story.
Gwen Stacy is really at rock bottom in terms of her reputation as a superhero. In some ways, she has it even worse than Peter Parker. At least Peter Parker didn’t get blamed for the death of his uncle. Since J. Jonah Jameson loves to outdo himself in any universe, he’s made it so Spider-Woman is the reason for Peter Parker’s death in this world. And since her father is still a captain with the NYPD, she doesn’t even have a home to go to. Even on his worst days, Peter could count on a nice home-cooked meal from his Aunt May. Gwen doesn’t have that luxury.
Most of the story revolves around Gwen coming to grips with all the forces that are working against her. But in the tradition of all the Spider-Men and Spider-Women that came before her, she doesn’t let that stop her from being responsible. In fact, she conveys more responsibility than Peter Parker did as a teenager in some ways. She doesn’t blame anyone else for her situation. She doesn’t get overly bitter. She doesn’t even whine about it. She just takes it all in until she sees an opportunity to make Spider-Woman a hero again. And she hasn’t even thrown her costume in a garbage can yet. Compared to Peter Parker and Miles Morales, she’s way ahead of schedule.
The strength of this story is built around Gwen Stacy trying to re-establish herself in a world that is trying desperately to reject her. It’s a world that’s conveyed through her eyes and from her perspective. It feels very personal while capturing all the right elements that make Spider-Man stories great. But beyond this strength, there isn’t much in terms of bonuses.
There are other parts of the story that tie into Gwen’s, but they’re only marginally developed. There’s nothing about this version of Vulture that anyone is going to find novel or intriguing. The same can be said for Kingpin and J. Jonah Jameson. That’s not to say there aren’t other stories worth following. The band Gwen belongs to, the Mary Janes, are one of the more novel aspects of her world. Their story does continue, but not by much. They’re basically the equivalent of Youtube celebrities now. And that can only last as long as the next cat video.
There was a lot to love about Gwen Stacy before she ever got spider-powers. Spider-Gwen #1 reveals a world has a very different Gwen Stacy, but she still has all the same characteristics that make her so lovable. She’s still that sweet girl next door that boys are afraid to talk to since her father is a cop. She just happens to have spider-powers in this world and she’s had the same rotten luck as Peter Parker in terms of using them responsibility. But considering how she ended up dead in Peter’s world, it still counts as an upgrade.
Final Score: 8 out of 10
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